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Create, Produce, Consume : New Models for Understanding Music Business / David Bruenger.

De Gruyter University of California Press Complete eBook-Package 2019 Available online

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EBSCOhost Ebook Business Collection Available online

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Format:
Book
Author/Creator:
Bruenger, David, Author.
Language:
English
Subjects (All):
Music trade.
Popular music--Social aspects.
Popular music.
Physical Description:
1 online resource (424 pages)
Place of Publication:
Berkeley, CA : University of California Press, [2019]
Language Note:
In English.
Summary:
Create, Produce, Consume explores the cycle of musical experience for musicians, professionals, and budding entrepreneurs looking to break into the music industry. Building on the concepts of his previous book, Making Money, Making Music, David Bruenger provides readers with a basic framework for understanding the relationships between the artist and audience and the producer consumer by examining the methods underlying creation-production-reception and creation-consumption-compensation. Each chapter offers a different perspective on the processes and structures that lead listeners to discover, experience, and interact with music and musical artists. Through case studies ranging from Taylor Swift's refusal to allow her music to be streamed on Spotify to the rise of artists supported through sites like Patreon, Bruenger offers highly relevant real-world examples of industry practices that shape our encounters with music. Create, Produce, Consume is a critical tool for giving readers the agile knowledge necessary to adapt to a rapidly changing music industry. Graphs, tables, lists for additional reading, and questions for further discussion illustrate key concepts. Online resources for instructors and students will include sample syllabi, lists for expanded reading, and more.
Contents:
Frontmatter
Contents
Introduction
1. Inception: Creation, Production, Reception
2. Production: Art, Science, Enterprise
3. Reception: Listeners, Fans, Consumers
4. Commodification: Product, Process, Culture
5. Monetization: Publishing, Performing, Recording
6. Location: Scenes, Venues, Labels
7. Diffusion: Here, There, Everywhere
8. Disruption: Pattern, Deviation, Adaptation
9. Connection: Artists, Audiences, Networks
10. Incorporation: Production, Monetization, Affiliation
11. Aggregation: Consumption, Production, Prediction
12. Simulation: Creation, Production, Consumption
Notes
Bibliography
Index
Notes:
Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Apr 2020)
ISBN:
9780520972735
0520972732
OCLC:
1088600597

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