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Musik und Klangkultur. Women's Leadership in Music : Modes, Legacies, Alliances / ed. by Linda Cimardi, Iva Nenic.

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Format:
Book
Contributor:
Ahmadian, Nasim, Contributor.
Casula, Clementina, Contributor.
Chen, Ying-Hsien, Contributor.
Cimardi, Linda, Contributor.
Cimardi, Linda, Editor.
Gjuka, Bahar, Contributor.
Hamer, Laura, Contributor.
Kolin, Diane, Contributor.
Lacoste, Blanche, Contributor.
Minors, Helen Julia, Contributor.
Mitić Minić, Katarina, Contributor.
Nenić, Iva, Editor.
Nenić, Iva, Contributor.
Nikolić, Tatjana, Contributor.
Radovanović, Bojana, Contributor.
Ranković, Sanja, Contributor.
Sabo, Adriana, Contributor.
Silverman, Carol, Contributor.
Wartner-Attarzadeh, Talieh, Contributor.
Zakić, Mirjana, Contributor.
Series:
Musik und Klangkultur
Musik und Klangkultur ; 63
Language:
English
Physical Description:
1 online resource (258 p.)
Edition:
1st ed.
Place of Publication:
Bielefeld : transcript Verlag, [2023]
Language Note:
In English.
Biography/History:
Nenic Iva : Iva Nenic is an ethnomusicologist and cultural theorist who works as an assistant professor at University of Arts, Belgrade. Her research is concerned with the way music and wider cultural practices give rise to ideology and help enact social identities, with a focus on gender and the politics of intersectionality, as well as on the relationship between sustainability and anthropocenic aspects of contemporary culture. She is the leader of the scientific research project »Female Leadership in Music« (FLIM), supported by the Science Fund of Serbia.Cimardi Linda : Linda Cimardi is an ethnomusicologist working as principal investigator in the DFG-funded project »Black Musics in the Region of (Former) Yugoslavia« at the Martin-Luther-Universität Halle-Wittenberg. She holds a Ph.D. in ethnomusicology from the University of Bologna (2013). Her main areas of interest are African musics, gender in music and dance, politics and aesthetics of world music.
Summary:
Various modes of contemporary female cultural, social and political leadership can be found in music. Informed by different histories and culturally bound social mores but also by a comparative perspective, the contributors ask what can be considered as leadership in culture from a female point of view today. They deconstruct the notion of leadership as corporative and career-related modes of success by showing how female agency, power and negotiation in and through music can and should be considered as empowering, transformative and role-modeling. This volume interweaves several disciplinary perspectives, from ethnomusicology, musicology and cultural management to sociology and anthropology.
Contents:
Frontmatter
Contents
Introduction. Women’s Modes, Legacies and Futures in Music
Uneven Terrains of Struggle: Towards the Transformative Notion of Female Music Leadership
Between Home and International Scenes. Sarah Ndagire’s Way to World Music
Plucking a Liberal Sound: Japanese Women’s Resignification of Finnish Kantele in a Hobbyist Club
Female Balkan Romani Singers: Charting Innovative Performance Paths
Assumptions of Normality: How Three Women with a Disability Changed the Face of Music
Female Leadership in Iranian-Arab Shiʻa Rituals from Khorramshahr, South-western Iran
God Has a Woman’s Voice. Liturgical Music and Agency of Eastern European Migrant Women in Rome
Winds of Change? Gender Segregation in Music Education and Production in Italy
Introducing WMLON: The Women’s Musical Leadership Online Network
Women in Music: Possibilities and Responsibilities of Cultural Management and Policy
Women’s Role in Sustaining the Practice of Tamburitza Instruments in Vojvodina
Performing Trauma in Privileged Spaces: Empowering Turkish Women’s Voices of the Past
Women’s Actions to Revitalize the Practice of Kaval Playing in Serbia
Female Leadership in Serbian Metal Music. Frontwomen at the Crossroads of Visibility, Genre and Voice
Female Agency, Genres and Aesthetics of Sorrow in Persian Classical Music
“What Moves the World, Moves My Ass as Well”: Mimi Mercedez as an Anti-heroine of Postsocialist Serbia
Notes on Contributors
Notes:
This eBook is made available Open Access under a CC BY-SA 4.0 license: https://creativecommons.org/licenses/by-sa/4.0 https://www.degruyter.com/dg/page/open-access-policy
Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2023)
ISBN:
9783839465462
383946546X
OCLC:
1374540000

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