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Art nouveau : art, architecture and design in transformation / Charlotte Ashby.

Fine Arts Library N6465.A7 A84 2022
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Format:
Book
Author/Creator:
Ashby, Charlotte, 1979- author.
Language:
English
Subjects (All):
Art nouveau.
Art and society--History--19th century.
Art and society.
Art and society--History--20th century.
Architecture and society--History--19th century.
Architecture and society.
Architecture and society--History--20th century.
Genre:
History.
Physical Description:
xi, 254 pages, 8 unnumbered pages of plates : illustrations (black and white, and colour) ; 25 cm
Place of Publication:
London ; New York : Bloomsbury Visual Arts, 2022.
Summary:
"Art Nouveau: Art, Architecture and Design in Transformation presents a new overview of the international Art Nouveau movement. Art Nouveau, Charlotte Ashby argues, represented the search for a new style for a new age, and hence a response to the conditions of modernity, in a world transformed by developments such as industrialisation, the growth of new cities, and the movements of populations into these cities, bringing about new ways of living, working and making that were felt to be fundamentally different to what had gone before. The book is structured around key themes for understanding the aesthetics and contexts of Art Nouveau, including form and ornament, symbolism and psychology, new forms of transport and communication, colonialism and imperialism, the rise of the 'modern woman' and the role of the patron-collector and the professional designer. Ashby explores the movement through 65 varied case studies of architecture, interiors, paintings, furniture, graphic arts, glass and ceramics by artists and designers, drawn from eighteen countries from a wide range of countries"-- Provided by publisher.
Contents:
Machine generated contents note: What was Art Nouveau?
Art and the conditions of modernity
About this book
pt. I The Structures of Art Nouveau
1. The nineteenth-century roots of Art Nouveau
The Gothic Revival, design reform and the Oxford Museum of Natural History (1860)
Aestheticism and Whistler's Peacock Room (1876-7)
Nature, science and art and Liljefors's Woodcocks; Red-Backed Shrike; Thrush in Its Nest; Preying Hawk; Sparrows (1888)
2. A new style for a new age: Innovations in form, materials and ornament
Gaudi's Giiell Palace: Form, materials and experience
Lechner's Museum of Applied Arts: The invention of national ornament
Sullivan's Guaranty Building: New ornament for new modes of construction
Parallel developments in applied art
Galle's On Such a Night as This: Material becomes ornament
3. Sites of Art Nouveau: New forms of exhibition
Brussels, L'Art moderne and the Les XX group
The Munich Secession
The 1900 Paris World's Fair
4. Designers and manufacturers: How Art Nouveau was made and sold
Charles Robert Ashbee and the Guild of Handicrafts
Louis Comfort Tiffany, Clara Driscoll and Tiffany Studios
Peter Behrens, Darmstadt and AEG
5. Art Nouveau on paper: Print and graphic art
Odilon Redon and the artist print
Aubrey Beardsley: The artist as illustrator
Elizabeth Shippen Green: Art Nouveau and commercial illustration
International art and design journals
6. Art Nouveau patrons and networks
Siegfried Bing and the Maison de VArt Nouveau
Justus Brinckmann and museum curation
Princess Tenisheva: The World of Art and the Talashkino artist's colony
Sarah Bernhardt: Celebrity and patronage
Conclusion to Part I: Art Nouveau in Vienna
The Vienna Secession
The Wiener Werkstatte
pt. II The content of Art Nouveau
7. The power of nature
Victor Horta: Tassel House and the jungle in the city
August Endell: Elvira Studio and the wilder shores of life
France Macdonald: The Pond and the threat of fecundity
Rene-Jules Lalique: The beauties of nature
The raw materials of Art Nouveau
8. The global reach of colonialism
The Sphinx Mysterieux and the performance of colonial power
India Art Nouveau and pan-Asianism
Dutch Art Nouveau and Javanese Batik
Transnational Art Nouveau and cultural exchange
9. Visions of other worlds and hopes for the future
Stanislaw Wyspiariski: Visions of a future Polish nation
Mary Seton Watts and the cosmos in ornament
Hilma af Klint: Spiritualist visions
10. Psychology, sex and the modern self
Fernand Khnopff: The journey into the self
Camille Claudel: The creative labour of the artist
Edvard Munch: Trials of isolation and connection
Elena Luksch-Makowsky: Gender and creativity
Magnus Enckell, George Minne and the adolescent male nude
11. Dream spaces: The Art Nouveau interior
Fyodor Shekhtel: Ryabushinsky House and a kingdom beneath the waves
Charles Rennie Mackintosh and Margaret Macdonald: Fritz Waerndorfer's music room and the performance of beauty
The light of other worlds: Dreams of a nation
Otto Wagner: St Leopold's Church and the healing power of art
12. Conclusion: New art for a changing world
Art Nouveau: Public art and collective identity
Art Nouveau worldwide
Art Nouveau: Decline and evolution.
Notes:
Includes bibliographical references and index.
Other Format:
Online version: Ashby, Charlotte, 1979- Art nouveau
ISBN:
9781350061149
135006114X
9781350061156
1350061158
OCLC:
1242022326

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