My Account Log in

5 options

The making of a Caribbean Avant-Garde : postmodernism as post-nationalism / Therese Kaspersen Hadchity.

DOAB Directory of Open Access Books Available online

View online

DOAB Directory of Open Access Books Available online

View online

JSTOR Books Open Access Available online

View online

OAPEN Available online

View online

Project MUSE Open Access Books Available online

View online
Format:
Book
Author/Creator:
Hadchity, Therese Kaspersen, 1963- author.
Series:
Comparative cultural studies.
Comparative cultural studies
Language:
English
Subjects (All):
Art--Caribbean Area.
Art.
Avant-garde (Aesthetics)--Caribbean Area.
Avant-garde (Aesthetics).
Art, Caribbean--20th century.
Art, Caribbean.
Art, Caribbean--21st century.
Caribbean Area.
Physical Description:
1 online resource (ix, 261 pages, 24 unnumbered pages of plates) : illustrations.
Place of Publication:
2020.
West Lafayette, Indiana : Purdue University Press, [2020]
Summary:
"Focusing on the Anglophone Caribbean, The Making of a Caribbean Avant-Garde describes the rise and gradual consolidation of the visual arts avant-garde, which came to local and international attention in the 1990s. The book is centered on the critical and aesthetic strategies employed by this avant-garde to repudiate the previous generation's commitment to modernism and anti-colonialism. In three sections, it highlights the many converging factors, which have pushed this avant-garde to the forefront of the region's contemporary scene, and places it all in the context of growing dissatisfaction with the post-colonial state and its cultural policies. This generational transition has manifested itself not only in a departure from "traditional" in favor of "new" media (i.e., installation, performance, and video rather than painting and sculpture), but also in the advancement of a "post-nationalist postmodernism," which reaches for diasporic and cosmopolitan frames of reference. Section one outlines the features of a preceding "Creole modernism" and explains the different guises of post-nationalism in the region's contemporary art. In section two, its momentum is connected to the proliferation of independent art spaces and transnational networks, which connect artists across and beyond the region and open up possibilities unavailable to earlier generations. Section three demonstrates the impact of this conceptual and organizational evolution on the selection and exhibition of Caribbean art in the metropole. The Making of a Caribbean Avant-Garde is a case study in post-colonial cultural dynamics. It delivers an engaged and polemic portrayal of a generational and critical transition, which has brought a segment of the Anglophone Caribbean arts community together and successfully drawn it into the international arena, but which also, it is argued, has problematic political corollaries"-- Provided by publisher.
Contents:
Machine generated contents note: SECTION 1 DISCOURSE
ch. 1 Shaping Up the Past: The Critique of Cultural Nationalism
ch. 2 The Next Generation
ch. 3 Diasporic Connections
SECTION 2 SPACES
ch. 4 The Origin of Alternative Spaces, the Troubled Museum and Cultural Policy in the Caribbean
ch. 5 Three Spaces in Context
ch. 6 Stronger Together: The Creative Network
SECTION 3 ENCOUNTERS
ch. 7 Through the Eye of the Needle
ch. 8 The Caribbean Contemporary in the United States
ch. 9 Three Barbadian Artists and Their `National Situation'.
Notes:
Description based on print version record.
Includes bibliographical references and index.
ISBN:
9781557539366
1557539367
9781557539359
1557539359

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account