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Ingrid Pollard : carbon slowly turning / edited by Fay Blanchard and Anthony Spira. Essays by Anna Arabindan-Kesson, Cheryl Finley, Paul Gilroy, Mason Leaver-Yap and Gilane Tawadross.

Fine Arts Library N6797.P59 A4 2022
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Format:
Book
Author/Creator:
Pollard, Ingrid, artist.
Contributor:
Blanchard, Fay, editor.
Spira, Anthony, editor.
Arabindan-Kesson, Anna, writer of essay.
Finley, Cheryl, writer of essay.
Gilroy, Paul, writer of essay.
Leaver-Yap, Mason, writer of essay.
Tawadross, Gilane, writer of essay.
Milton Keynes Gallery, host institution.
Turner Contemporary (Arts organization : Margate, England), host institution.
Language:
English
Subjects (All):
Pollard, Ingrid--Exhibitions.
Pollard, Ingrid.
Art, British--20th century--Exhibitions.
Art, British.
Genre:
exhibition catalogs.
Exhibition catalogs.
Physical Description:
191 pages : illustrations (some colour), portraits ; 25 cm
Other Title:
Carbon slowly turning.
Place of Publication:
London] : Philip Wilson Publishers, 2022.
Summary:
Ingrid Pollard is a British media artist and researcher who has developed a social practice concerned with representation, using portraiture photography and traditional landscape imagery to explore social constructs such as Britishness or racial difference. While she became known for her photographic series, she has also throughout her career been uncovering unseen and hidden histories in a variety of practices from printmaking, drawing, mixed media and film. Ingrid Pollard: Carbon Slow Turning situates Pollard's practice in a wider context and weaves together her personal story and Caribbean heritage with broader narratives of post war black settlement and photographic history. Continuing the theme of exposing what is hidden, Pollard challenges in her works the representation and derogatory portrayals of the 'black figure'. For four decades, Pollard's important photographic collages have offset traditionally idyllic representations of Britain with unseen legacies of xenophobia and exclusion. Pastoral Interlude (1988) places the Black figure within an imagined picturesque setting, undermining perceptions of 'urban' and 'authentic rural'. Seaside Series (1989) combines cyphers of coastal tourism with stories of historic and contemporary immigration to the UK. More recently, Seventeen of Sixty-Eight (2019) documents how the African body is represented in popular signwriting. Despite Pollard's work being held in several national collections and discussed in every publication on black artists in Britain, the artist is little known to the general public. There is no doubt that her practice and achievements are nationally significant and this first monograph seeks to widen her exposure.
Notes:
Published to accompany an exhibition held at MK Gallery, Milton Keynes, 12 March - 29 May, 2022 and Turner Contemporary, Margate, 9 July - 25 September, 2022.
Includes bibliographical references.
ISBN:
1781301190
9781781301197
OCLC:
1288136988

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