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Viewing photography in post-dictatorship Latin America : visual interruptions, 1997-2016 / David Rojinsky.
- Format:
- Book
- Author/Creator:
- Rojinsky, David, author.
- Language:
- English
- Subjects (All):
- Collective memory--Latin America.
- Collective memory.
- Postmortem photography--Latin America.
- Postmortem photography.
- Historiography and photography--Latin America.
- Historiography and photography.
- Memory in art.
- Latin America--History--20th century--Sources.
- Latin America.
- Physical Description:
- 1 online resource : illustrations (black and white, and colour)
- Place of Publication:
- Cham, Switzerland : Palgrave Macmillan, [2022]
- Contents:
- Intro
- Acknowledgements
- Contents
- Abbreviations
- List of Figures
- Chapter 1: Visual Interruptions
- Visual Politics and Photographic Memory Art
- The Index and the Beholder
- Visual Interruptions in Memory Art
- Identification and Disidentification Photographs
- Positioning the Viewer
- Between Affect and Critical Inquiry
- Taking Position on a Global Historical Memory
- References
- Chapter 2: Vernacular Presence
- Early Human Rights Archives
- Oppositional Photography in the 1980s
- A Post-Dictatorship Photographic Aesthetic
- Family Photography and the Family Trope
- Marking Irreparable Family Loss
- Vernacular Photographies in Love against Oblivion
- Your Photographs
- Beyond Identification: Empathic Vision
- Techniques of Interrupted Viewing
- Visual Politics, Memory, and Gallery Installations
- Chapter 3: Imagined Genealogies
- The National Photo-Album
- The Argentine Family as Contested Trope
- From Victimhood to Photographic Memory Art, 1997-2016
- Lucila Quieto's Filiación (2013-2016)
- Obama-Macri and the Fortieth Anniversary
- The End of Photography and the Trace of History
- Reviewing Arqueología de la ausencia (Archaeology of Absence)
- Sitios de Memoria (2008-2012) (Memory Sites)42
- Family Frames and Geopolitical Histories
- Chapter 4: Memory Walls
- Photographic Counter-Monuments
- Urban Interventions in Chile under Military Rule
- The Continued Relevance of Luz Donoso's Interventions
- Formulación 335 (Formulation 335)
- Interventions in the Street and the Endless Banner
- The Rise and Fall of the Memory Wall
- Other Walls of Faces
- The Afterlife of the Memory Wall: Nécrosis (2015)
- Aesthetic Reframing and the Critical Gaze
- Imprints of Historical Decay
- Chapter 5: Absent Gazes
- Turning the Page in Post-Dictatorship Uruguay
- Visual Politics and the Photography of Protest
- Reframing the Archive in Uruguayan Art Photography
- Absent Gazes
- From Exile to Memory
- Absent Gazes in the Street (2008-2009)
- Faces of the Other
- Hauntology and Justice
- Rejecting the Face
- A National Work of Mourning
- Nomadic Images, Memorials and Shopping Centres
- Chapter 6: Never Again!
- Guatemala. Never Again: Texts and Images
- Visual Clarification
- The Invisibility of Guatemala's Past
- On the Global Stage
- An Angelic Intervention
- Of Documents and Monuments
- Projected Faces in Guatemala City
- An International Aesthetic of Urban Intervention
- The Global Angel and Holocaust Discourse
- From Universal Victimhood to the Angel of the Present
- Chapter 7: Disappeared (Epilogue)
- Photojournalism, Revolution and Celebrity
- The Ideological End(S) of Photojournalism
- Global Disappearance
- Interrupting Affect. Interrupting Time?
- Index
- Notes:
- Chapter 1: Visual InterruptionsChapter 2: Vernacular PresenceChapter 3: Imagined GenealogiesChapter 4: Memory WallsChapter 5: Absent GazesChapter 6: Never Again!Chapter 7: Disappeared (Epilogue).
- Includes bibliographical references and index.
- Electronic reproduction. Ann Arbor, MI Available via World Wide Web.
- Description based on online resource; title from digital title page (viewed on January 26, 2023).
- Other Format:
- Print version:
- ISBN:
- 9783031175909
- 3031175905
- Publisher Number:
- 99992658188
- Access Restriction:
- Restricted for use by site license.
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