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Paradise camp / by Yuki Kihara ; edited by Natalie King.
LIBRA - Limited N7408.K54 A73 2022
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- Format:
- Book
- Conference/Event
- Conference Name:
- Biennale di Venezia (59th : 2022 : Venice, Italy)
- Standardized Title:
- Paradise camp (Creative New Zealand)
- Language:
- English
- Undetermined
- Subjects (All):
- Kihara, Shigeyuki, 1975---Exhibitions.
- Kihara, Shigeyuki.
- Kihara, Shigeyuki, 1975- Paradise camp--Exhibitions.
- Kihara, Shigeyuki, 1975---Criticism and interpretation.
- Gauguin, Paul, 1848-1903--Influence--Exhibitions.
- Gauguin, Paul.
- Installations (Art)--Italy--Venice--Exhibitions.
- Installations (Art).
- Art, New Zealand--Exhibitions.
- Art, New Zealand.
- Colonies in art--Exhibitions.
- Colonies in art.
- Trans people in art--Exhibitions.
- Trans people in art.
- Appropriation (Art)--New Zealand--Exhibitions.
- Appropriation (Art).
- Oceania--In art--Exhibitions.
- Oceania.
- Samoa--Civilization.
- Samoa.
- Gauguin, Paul, 1848-1903.
- Kihara, Shigeyuki, 1975-.
- Influence (Literary, artistic, etc.).
- Transgender people in art.
- Italy--Venice.
- New Zealand.
- Fa'afafine.
- LGBTQ+ artists.
- Queer artists.
- Third gender people.
- Genre:
- exhibition catalogs.
- Criticism, interpretation, etc.
- Exhibition catalogs
- Fa'afafine.
- LGBTQ+ artists.
- Queer artists.
- Third gender people.
- Exhibition catalogs.
- Illustrated works.
- Physical Description:
- 173 pages, 3 unnumbered pages : illustrations (chiefly color), facsimiles, maps, portraits ; 31 cm
- Place of Publication:
- Wellington, New Zealand : Creative New Zealand, Toi Aotearoa ; Port Melbourne, Victoria : in association with Thames & Hudson Australia Pty Ltd ; New York, New York : Thames & Hudson Inc., 2022.
- Summary:
- "Internationally renowned artist Yuki Kihara--the first Fa'afafine and Pacific artist to represent New Zealand at the Venice Biennale--reframes history through a contemporary queer, Indigenous lens. With a groundbreaking exhibition of new work that addresses some of the most pressing issues of our time, Kihara's work interrogates and dismantles gender roles, consumerism, (mis)representation, and colonial legacies in the Pacific. Edited by Natalie King, who has commissioned provocative essays by contributors from around the world, this publication contextualizes Kihara's works from her entire career, which puncture and expose, queer and question dominant narratives, turning history on its head."--Amazon.com.
- Contents:
- (from table of contents) Commissioner's Foreword / Caren Rangi
- Camping paradise : I am what I am / Natalie King
- Fa'afafine theirstory / Dan Taulapapa McMullin
- He tangi mo Ha'apuani (A lament for Ha'apuani): Gaugin's models
- a Māori perspective / Ngahuia Te Awekotuku
- Reinventing the archive : Yuki Kihara's 'Paradise camp' / Coco Fusco
- Yuki Kihara in conversation with Natalie King
- Fa'afafine poem number eight / Dan Taulapapa McMullin
- 'Paradise camp'
- Fa'afafine poem number twelve / Dan Taulapapa McMullin
- Who is looking at who? an archive / Yuki Kihara
- Repurposing Gauguin / Elizabeth Childs
- Ocean waves to wash away Gauguin / Chantal Spitz
- Skin colony / Patrick Flores
- Yuki Kihara's Salome: is something terrible happening now? / Daniel Satele
- 'Going native' : Dutch constructions of the Pacific / Fanny Wonu Veys
- Interweaving anew: the Japanese-Sāmoan Vā / Jacqueline Lo
- Chronology
- Glossary.
- Notes:
- "First published ... on the occasion of the exhibition 'Paradise Camp by Yuki Kihara', curated by Natalie King, for the New Zealand Pavilion at the 59th International Art Exhibition - La Biennale de Venezia, 23 April-27 November 2022."--Page 176.
- "New Zealand at Venice."--Page 2.
- "Glossary" compiles 52 terms and names from Hawai'ian, Māori, Sāmoan, Tahitian, Tongan, and Yolŋu Matha.
- Includes bibliographical references (page 167; and in "Notes", pages 159-161).
- ISBN:
- 9781760762551
- 1760762555
- 9781760761424
- 1760761427
- OCLC:
- 1288138058
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