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Leonor Antunes : the homemaker and her domain, part III / [textos : Ana Elena Mallet, Viridiana Zavala Rivera]

LIBRA NB833.A58 A4 2022
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Format:
Book
Author/Creator:
Antunes, Leonor, 1972- artist, sculptor.
Mallet, Ana Elena, author of added text.
Zavala Ribera, Viridiana, author of added text.
Contributor:
Galeria Kurimanzutto, issuing body.
Standardized Title:
Works. Selections
Language:
English
Spanish
Subjects (All):
Antunes, Leonor, 1972---Criticism and interpretation.
Antunes, Leonor.
Antunes, Leonor, 1972---Exhibitions.
Installations (Art)--21st century--Exhibitions.
Installations (Art).
Women sculptors--Portugal--Lisbon--21st century--Exhibitions.
Women sculptors.
Physical Description:
69 pages : illustrations (some color ) ; 28 cm.
Edition:
Primera edición.
Other Title:
Homemaker and her domain, part III
Language Note:
Texts in Spanish and English.
Summary:
Leonor Antunes (Lisboa, 1972, lives and works in Berlin) latest exhibition is a network of influences of 20th-century art and design female creators and that are often a source of inspiration for the artist. The vast range of materials she uses -jute, bamboo, brass, nylon, pineapple leather, straw silk, cotton, glass- presented in various knots, weaves, textiles, and forms of joinery suspended around two primary structures are the invocation of these late artists tied together by Antunes's own signature aesthetic. For this exhibition, Antunes surveys the life and work of Léna Meyer-Bergner during her residency in Mexico from 1939 to 1947 and weaves relationships between Meyer-Bergner and other creators that generated new discourses focused on design, production techniques and how objects respond to their social and political context.
Contents:
Reflexiones materiales: de los archivos a la obra de Leonor Antunes / Viridiana Zavala Ribera
Una modernidad hecha a mano / Ana Elena Mallet
Biografias.
Material reflections: from the archives of Leonor Antunes to her artwork / Viridiana Zavala Ribera
Handmade modernity / Ana Elena Mallet
Bios.
Notes:
Published on the occasion of the exhibition held Febrary 12 to March 19 at the Galeria Kurimanzutto in Mexico City.
Includes bibliographical references.

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