Bildwelten des Wissens : Kunsthistorisches Jahrbuch für Bildkritik. Band 18, MUSEALE RESTE / hrsg. von Nina Samuel, Felix Sattler.

Format:

Book

Contributor:

Caviezel, Flavia, Contributor.

Christopher, Li, Contributor.

DeSilvey, Caitlin, Contributor.

Egger, Marie, Contributor.

Gineprini, Lorenzo, Contributor.

Gräfe, Sophia, Contributor.

Grünfeld, Martin, Contributor.

Hoffmann, Raphael, Contributor.

Kowal, Emma, Contributor.

Lowe, Adam, Contributor.

Macdonald, Sharon, Contributor.

Malanski, Andrea, Contributor.

Matyssek, Angela, Contributor.

Militz, Marlene, Contributor.

Nasyrova, Ana, Contributor.

Samuel, Nina, Editor.

Sattler, Felix, Editor.

Saumarez Smith, Ferdinand, Contributor.

Wiedemeyer, Nina, Contributor.

Matters of Activity. Image Space Material, Funder.

Series:

Bildwelten des Wissens ; Band 18

Language:

German

Physical Description:

1 online resource (118 p.)

Edition:

1st ed.

Place of Publication:

Berlin ; Boston : De Gruyter, [2022]

Language Note:

In German.

Biography/History:

Nina Samuel, Felix Sattler, Humboldt-Universität zu Berlin

Summary:

Remnants are a challenge for the museum as an institution. They are ambiguous figures, and their attributions open up and thus contribute to transcending the taxonomic, disciplinary, architectural, and institutional boundaries of museums. They can be found everywhere—in exhibition spaces as well as storage depots, and in laboratories just as in the administration. In each of these contexts, there are respectively different forms of professional self-conception, knowledge, and practical handling that determine the status of remnants. The volume contributes to specifying terms such as remnant, trash, traces, and boundaries more precisely within the context of the museum and to reassessing them for debates in conservation, curating, art history, and museum anthropology.

Reste fordern die Institution des Museums heraus. Es sind Kippfiguren, die Zuschreibungen öffnen und damit an Überschreitungen der taxonomischen, disziplinären, architektonischen und institutionellen Grenzen des Museums mitarbeiten. Sie sind überall anzutreffen – im Ausstellungsraum genauso wie im Depot, im Labor genauso wie in der Verwaltung. In jedem dieser Kontexte stehen jeweils andere Formen des professionellen Selbstverständnisses, des Wissens und des praktischen Umgangs zur Verfügung, die den Status von Resten determinieren. Der Band trägt dazu bei, Begriffe wie Rest, Abfall, Spuren, Ränder im Kontext des Museums zu präzisieren und für Debatten in Konservierung, Kuration, Kunstgeschichte und Museumsanthropologie neu zu bewerten.

Contents:

Frontmatter

Pictures

Inhalt

Editorial

Sighting the Dust: Attending to the Museum through its Residues

Remain Human: Zum Umgang mit menschlichen Überresten im Lautarchiv

Fringe Objects: Cultivating Residues at the Museum

Wiedergelesen

Mary Douglas: Purity and Danger. An Analysis of the Concepts of Pollution and Taboo

Spencer’s Ghost: The Decolonial Afterlife of a Postcolonial Museum Prop

Projektvorstellung

Ruin in Reverse. A Design Inquiry Guided by the Materiality of the Rubble

Toxische Überreste des Sammelns

Resteverwertung: zeitgenössische Kunst und das, was übrig bleibt

Bilder als Typen. Digitalfotografie der Fliege Marleyimyia xylocopae (2014)

Residues of Cultural Significance: The Bakor Monoliths

Rezension

Fernando Domínguez Rubio: Still Life. Ecologies of the Modern Imagination at the Art Museum, Chicago/London 2020

Reflexion über das Randständige

Bildnachweis

Autorinnen und Autoren

Notes:

This eBook is made available Open Access under a CC BY 4.0 license: https://creativecommons.org/licenses/by/4.0 https://www.degruyter.com/dg/page/open-access-policy

Description based on online resource; title from PDF title page (publisher's Web site, viewed 05. Dez 2022)

Description based on publisher supplied metadata and other sources.

ISBN:

9783110733372

3110733374

OCLC:

1354207824

Access Restriction:

Open access Unrestricted online access