Wu yong zhi yong : xiu qi de dong chuan yu fa zhan = The usefulness of the useless : the eastbound transmission and transformation of lacquer art / Qian Yijin zhu bian.
無用之用 : 髹漆的東傳與發展 = The usefulness of the useless : the eastbound transmission and transformation of lacquer art 錢懿謹主編.

Format:

Book

Contributor:

Qian, Yijin, editor.

錢懿謹, editor.

Language:

Chinese

English

Subjects (All):

Lacquer and lacquering--China--History.

Lacquer and lacquering.

China.

Genre:

History

Physical Description:

386 pages ; 33 cm

Edition:

Di 1 ban.

第1版.

Other Title:

Xiu qi de dong chuan yu fa zhan

Usefulness of the useless : the eastbound transmission and transformation of lacquer art

Eastbound transmission and transformation of lacquer art

髹漆的東傳與發展

Place of Publication:

Beijing Shi : Wen wu chu ban she, 2021.

北京市 : 文物出版社, 2021.

Language Note:

In Chinese and English.

Summary:

Xiu qi gong yi yuan zi Zhongguo, sui ran jing guo zhang shi jian de ji cheng yu fa zhan, Riben qi qi yu wo guo qi qi zai ji fa yu feng ge shang you zhe yi ding de cha yi. Dan shi qi ti cai duo chu zi Zhongguo chuan tong wen yang, yu Zhonghua mei xue ke wei shu tu tong gui. Wang Shixiang xian sheng ceng yan, Riben shi hui you Zhongguo Tang dai de mo jin lou fa zhan er lai. Riben ren zhang wo qi yi hou jin bu ming xian, yi zhi Song ren Fang Shao jing wu ren luo dian qi qi fa yuan zi wo guo. Shi zhi jin ri, liang an gu gong guan cang Riben qi qi duo da shu qian jian. Ke jian wo guo li dai wen ren ji huang shi dui qi de zhong ai. Dao le jin dai, you yu wen hua chong tu deng zhong zhong yuan yin, cang jia men yi ran bu zai zhong shi qi zai li shi, yi shu he jing ji shang de jia zhi. Bing chi zhu xin yi dai de gu dong shang ying gai you zhe geng wei kai fang de xiong huai ji yan jie, bing ba shi jie shang ge lei you xiu de yi shu jing pin dai ru guo nei yan jiu yu jiao liu zhe yi li nian, zuo zhe hao fei duo nian xin xue zhuan xie ben shu gao.

髹漆工艺源自中国, 虽然经过长时间的继承与发展, 日本漆器与我国漆器在技法与风格上有着一定的差异. 但是其题材多出自中国传统纹样, 与中华美学可谓殊途同归. 王世襄先生曾言, 日本莳绘由中国唐代的末金镂发展而来. 日本人掌握漆艺后进步明显, 以致宋人方勺竟误认螺钿漆器发源自倭国. 时至今日, 两岸故宮馆藏日本漆器多达数千件. 可见我国历代文人及皇室对其的钟爱. 到了近代, 由于文化冲突等种种原因, 藏家们已然不再重视其在历史, 艺术和经济上的价值. 秉持着新一代的古董商应该有着更为开放的胸怀及眼界, 并把世界上各类优秀的艺术精品带入国内研究与交流这一理念, 作者耗费多年心血撰写本书稿.

ISBN:

9787501051564

7501051569

OCLC:

1344369029