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Collaborative intimacies in music and dance : anthropologies of sound and movement / edited by Evangelos Chrysagis and Panas Karampampas.

EBSCOhost Academic eBook Collection (North America) Available online

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Ebook Central Academic Complete Available online

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Format:
Book
Contributor:
Chrysagis, Evangelos, editor.
Karampampas, Panas, editor.
Series:
Dance and performance studies.
Dance and Performance Studies
Language:
English
Subjects (All):
Music and dance.
Music--Social aspects.
Music.
Dance--Anthropological aspects.
Dance.
Physical Description:
1 online resource (272 pages) : illustrations.
Place of Publication:
New York ; Oxford, [England] : Berghahn Books, 2017.
Summary:
Across spatial, bodily, and ethical domains, music and dance both emerge from and give rise to intimate collaboration. This theoretically rich collection takes an ethnographic approach to understanding the collective dimension of sound and movement in everyday life, drawing on genres and practices in contexts as diverse as Japanese shakuhachi playing, Peruvian huayno, and the Greek goth scene. Highlighting the sheer physicality of the ethnographic encounter, as well as the forms of sociality that gradually emerge between self and other, each contribution demonstrates how dance and music open up pathways and give shape to life trajectories that are neither predetermined nor teleological, but generative.
Contents:
Frontmatter
Contents
Illustrations and Table
Preface
Introduction: Collaborative Intimacies
PART I Sound, Meaning and Self-Awareness
Chapter 1 Being in Sound: Reflections on Recording while Practising Aikido and Shakuhachi
Chapter 2 Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in London
PART II Pedagogies of Bodily Movement
Chapter 3 Kinaesthetic Intimacy in a Choreographic Practice
Chapter 4 The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman
PART III Music Practices and Ethical Selfhood
Chapter 5 The Animador as Ethical Mediator: Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles
Chapter 6 A Sense of Togetherness: Music Promotion and Ethics in Glasgow
PART IV Bodies Dancing in Time and across Space
Chapter 7 Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience
Chapter 8 Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’ in Greece Exploring Dance in Korydallos, Attica, Greece
PART V Motion, Irony and the Making of Lifeworlds
Chapter 9 Performing Irony on the Dance Floor: in the Athenian Goth Scene The Many Faces of Goth Irony in the Athenian Goth Scene
Chapter 10 The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea)
Index
Notes:
Includes bibliographical references at the end of each chapters and index.
Description based on print version record.
OCLC:
1350572264

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