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Pop with gods, Shakespeare, and AI : popular film, (musical) theatre, and TV drama? / Iris H. Tuan.
Kislak Center for Special Collections - Furness Shakespeare Library (Van Pelt 628) PN56.P547 T83 2020
Available
- Format:
- Book
- Author/Creator:
- Tuan, Iris Hsin-chun, author.
- Language:
- English
- Subjects (All):
- Popular culture.
- Performing arts.
- Physical Description:
- xxv, 210 pages : illustrations (some color) ; 22 cm
- Place of Publication:
- Cham : Palgrave Macmillan, 2020
- Summary:
- Applying the theories of Popular Culture, Visual Culture, Performance Studies, (Post)Feminism, and Film Studies, this interdisciplinary and well-crafted book leads you to the fascinating and intriguing world of popular film, (musical) theatre, and TV drama. It explores the classical and contemporary cases of the literature works, both Eastern and Western, adapted, represented and transformed into the interesting artistic medium in films, performances, TV dramas, musicals, and AI robot theatre/films. 0'Iris Tuan's book is wide ranging in scope and diversity, examining theatre, music, film and television productions from both Western and Asian countries. Tuan also surveys an extensive range of critical and theoretical perspectives, especially from performance studies and popular cultural studies, to offer context for her descriptions of the many different works. Some of her examples are well-known (Shakespeare's Romeo & Juliet, Disney's The Lion King) while others little known outside their place of origin (such as the Hakka Theatre of Taiwan) -- all are approached by the author with enthusiasm.' 0-Susan Bennett, Professor of English, University of Calgary, Canada 0.
- Contents:
- Machine generated contents note: 1. Introduction: Popular Visual Culture in Film, Theatre and TV Drama
- Introduction
- Synopsis of Each Chapter
- Theories and Methodology
- Theories of Popular Culture and Visual Culture
- Works Cited
- pt. I Literature, Film, and Theatre
- 2. Shakespeare and Popular Culture: Romeo and Juliet in Film and Pop Music
- Shakespeare and Popular Culture
- Pop Culture and Young Audience
- Literature Reviews
- Pop Music
- Authenticity and Appropriation
- Shakespeare also as a Methodology
- Theories of Popular Culture and Cultural Theory
- Canon, Kitsch, Simulacra, Classics, Representation
- 1. The Musical Film West Side Story on Race
- 2. Film Director Franco Zeffirelli's Romeo & Juliet (1968) Stars the Teenagers' Chemistry Cast to Add Freshness
- 3. Directed Baz Luhrmann's Film Romeo + Juliet (1996) on Postmodern Spectacles and Hyper-Reality
- 4. Italian Film Director Carlo Carlei's Romeo & Juliet (2013), Classical Juxtaposition with La Pieta, the Sculpture by Michelangelo
- Comparison and Commentary on Shakespearean Films
- Shakespeare and Pop Music
- 5. Taylor Swift's Pop Music "Love Story"
- 6. "The Late Late Show with James Corden": `Romeo and Juliet' with Emily Blunt
- Conclusion
- 3. Represent Afterlife and Replay Habitus: Performance via Spectacle in the Korean Film Along with the Gods: The Two Worlds
- Introduction: From Hollywood to Korea
- Background of Korean Films
- Research Value
- Cultural Production with Spectacle
- Adaptation from Webtoon
- Theoretical Perspective of Pierre Bourdieu's "Habitus in Every Day"
- 3D Special Effects Represent Visual Spectacle
- Theory of Guy Debord's "Spectacle"
- Pierre Bourdieu's Theoretical Notion of "Habitus"
- Mundane Life
- Seven Trials Shown by Cinematic Special Effects and Extraordinary Visual Effects
- 1st Trial: Kill Anyone?
- 2nd Trial: Make Use of Each Day?
- 3rd Trial: White Lie
- Spectacles from the 4th Trial: Crime of Violence to the Final Verdict
- Film Studies: Body in Close Shots
- Special Effects by 3D and 4D Film Technology
- Heteroglossia and Spectacles
- Conclusion: From Aristotle's Cave Metaphor to Mimicking Real Life Behaviours via Cinematic Technology
- Ready Player One
- Cinematic Effects
- Audiences' Response
- 4. Myth and Levi-Strauss: Taiwan Musical The Classic of Mountains and Seas & Chinese Film The Monkey King: Kingdom of Women
- Myth by 3D and CGI
- Adapt Myth to Retheatricalize Theatre and Film
- Levi-Strauss' Myth and Meaning
- Musical Theater Classic of Mountains and Seas
- Literature Review
- Creative Design
- Film The Monkey King: Kingdom of Women
- Love Poetry Song with Buddhist Philosophy
- Film Cinematography
- Comparison with the Original Novel
- Theatricalize the Film via Special Effects of Cinematography
- pt. II Asian American Play, Asian Theatre, and Musical Theater
- 5. Face, Race, and Performance: Arousal by Face and Identity Transformation
- Identity and Performance
- Humanity to Animality via Makeup
- Face, Race, and Performance
- 1. Miss Saigon Dispute and Yellow Face
- 2. The Lion King, Cats, and War Paint
- 3. Jekyll & Hyde & So On
- 6. Dance Tango and Sing for Revenge in Chicago and The Visit
- Chicago: Female Stars Dance and Sing for Revenge
- The Visit: "Love and Love Alone"
- Argument and Exploration
- Chicago: Mocks on Murder
- The Visit: Grotesque Parable of Revenge
- Chicago: Vaudeville Show
- The Visit: A Satire on Justice
- Literary Reviews and Comments
- Chicago: From Vaudeville to MTV by Film Editing to Sing Victory
- Chicago: Dia-Chronicle Dynastic History
- The Visit: Can Justice Be Got Without Money?
- pt. III TV Drama, Robot Theatre and AI Films
- 7. Theatre, Performance, and Popular Story of Tanxi Palace
- Theories of Performance Studies, Feminism, and Popular Culture
- Synopsis: Speak Out in the Popular TV Drama
- Popular Culture, History, Self Referentiality
- Adaptation, not an Authentic History, but a Hyperreal
- Comparison with Ruyi's Royal Love in the Palace
- Performance of Chinese Beijing Opera and Ritual
- Practice of Everyday Life in Performance Studies and Cultural Studies
- Power and Surveillance
- Popular Music and Catharsis
- Feminism Desire and Female Pleasure
- Post-Dramatic Theatre and Self-Reflexivity
- Post-Feminism and Pop Culture
- Conclusion: Popularity in Performance and Popular Culture
- 8. Hakka Theatre: Roseki Taipei Singer
- Introduction: Hakka Theater Roseki
- Play-Within-the-Play
- Lyuu's Brief Bio
- Theories & Post-colonialism
- The Protagonist Lyuu Heh-Ruo
- One Actor Plays Multiple Roles
- Lyuu's Life and His Literature Works Are Inter-twined
- Lyuu's Novels and Short Stories
- Play-Within-the-Play, Multiple Roles
- The Other and Abjection
- Postcolonial Feminism
- Stage Design of Minimalism
- Worse Exploitation and Oppression
- Music, Songs, Stage Design
- 9. Robot Theatre and AI Films
- Development of Humannoids in Performance
- AI Trend and AI Policy
- Robot Theater Performance: Metamorphosis: Android Version
- Development of the Geminoids
- The Theory of Uncanny Valley
- "Robot Actor Project"
- Android-Human Theatre
- Some Robot Performances
- Three Sisters and the Other Robot Theater Performances
- Robot Theater Performance Sayonara
- Human Actors Play the Roles of Robots
- Humans Accept or Reject AI Robots?
- AI Robots Films
- Simulacra, Cloning, Film Comments
- Simulacra in AI Robot Films
- Do Androids Dream of Electric Sheep?
- AI with No Alluring Female Body but Voice
- Image Synthesis
- AI Holographic Simulacra
- 10. Conclusion
- Main Points in Each Chapter
- Future Research Plan
- Works Cited.
- Notes:
- Includes bibliographical references and index.
- Local Notes:
- Acquired for the Penn Libraries with assistance from the Horace Howard Furness Memorial Fund.
- Other Format:
- ebook version :
- ISBN:
- 9789811572968
- 9811572968
- OCLC:
- 1197814489
- Publisher Number:
- 99991375563
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