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Pop with gods, Shakespeare, and AI : popular film, (musical) theatre, and TV drama? / Iris H. Tuan.

Kislak Center for Special Collections - Furness Shakespeare Library (Van Pelt 628) PN56.P547 T83 2020
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Format:
Book
Author/Creator:
Tuan, Iris Hsin-chun, author.
Contributor:
Horace Howard Furness Memorial Fund.
Horace Howard Furness Memorial Library (University of Pennsylvania)
Language:
English
Subjects (All):
Popular culture.
Performing arts.
Physical Description:
xxv, 210 pages : illustrations (some color) ; 22 cm
Place of Publication:
Cham : Palgrave Macmillan, 2020
Summary:
Applying the theories of Popular Culture, Visual Culture, Performance Studies, (Post)Feminism, and Film Studies, this interdisciplinary and well-crafted book leads you to the fascinating and intriguing world of popular film, (musical) theatre, and TV drama. It explores the classical and contemporary cases of the literature works, both Eastern and Western, adapted, represented and transformed into the interesting artistic medium in films, performances, TV dramas, musicals, and AI robot theatre/films. 0'Iris Tuan's book is wide ranging in scope and diversity, examining theatre, music, film and television productions from both Western and Asian countries. Tuan also surveys an extensive range of critical and theoretical perspectives, especially from performance studies and popular cultural studies, to offer context for her descriptions of the many different works. Some of her examples are well-known (Shakespeare's Romeo & Juliet, Disney's The Lion King) while others little known outside their place of origin (such as the Hakka Theatre of Taiwan) -- all are approached by the author with enthusiasm.' 0-Susan Bennett, Professor of English, University of Calgary, Canada 0.
Contents:
Machine generated contents note: 1. Introduction: Popular Visual Culture in Film, Theatre and TV Drama
Introduction
Synopsis of Each Chapter
Theories and Methodology
Theories of Popular Culture and Visual Culture
Works Cited
pt. I Literature, Film, and Theatre
2. Shakespeare and Popular Culture: Romeo and Juliet in Film and Pop Music
Shakespeare and Popular Culture
Pop Culture and Young Audience
Literature Reviews
Pop Music
Authenticity and Appropriation
Shakespeare also as a Methodology
Theories of Popular Culture and Cultural Theory
Canon, Kitsch, Simulacra, Classics, Representation
1. The Musical Film West Side Story on Race
2. Film Director Franco Zeffirelli's Romeo & Juliet (1968) Stars the Teenagers' Chemistry Cast to Add Freshness
3. Directed Baz Luhrmann's Film Romeo + Juliet (1996) on Postmodern Spectacles and Hyper-Reality
4. Italian Film Director Carlo Carlei's Romeo & Juliet (2013), Classical Juxtaposition with La Pieta, the Sculpture by Michelangelo
Comparison and Commentary on Shakespearean Films
Shakespeare and Pop Music
5. Taylor Swift's Pop Music "Love Story"
6. "The Late Late Show with James Corden": `Romeo and Juliet' with Emily Blunt
Conclusion
3. Represent Afterlife and Replay Habitus: Performance via Spectacle in the Korean Film Along with the Gods: The Two Worlds
Introduction: From Hollywood to Korea
Background of Korean Films
Research Value
Cultural Production with Spectacle
Adaptation from Webtoon
Theoretical Perspective of Pierre Bourdieu's "Habitus in Every Day"
3D Special Effects Represent Visual Spectacle
Theory of Guy Debord's "Spectacle"
Pierre Bourdieu's Theoretical Notion of "Habitus"
Mundane Life
Seven Trials Shown by Cinematic Special Effects and Extraordinary Visual Effects
1st Trial: Kill Anyone?
2nd Trial: Make Use of Each Day?
3rd Trial: White Lie
Spectacles from the 4th Trial: Crime of Violence to the Final Verdict
Film Studies: Body in Close Shots
Special Effects by 3D and 4D Film Technology
Heteroglossia and Spectacles
Conclusion: From Aristotle's Cave Metaphor to Mimicking Real Life Behaviours via Cinematic Technology
Ready Player One
Cinematic Effects
Audiences' Response
4. Myth and Levi-Strauss: Taiwan Musical The Classic of Mountains and Seas & Chinese Film The Monkey King: Kingdom of Women
Myth by 3D and CGI
Adapt Myth to Retheatricalize Theatre and Film
Levi-Strauss' Myth and Meaning
Musical Theater Classic of Mountains and Seas
Literature Review
Creative Design
Film The Monkey King: Kingdom of Women
Love Poetry Song with Buddhist Philosophy
Film Cinematography
Comparison with the Original Novel
Theatricalize the Film via Special Effects of Cinematography
pt. II Asian American Play, Asian Theatre, and Musical Theater
5. Face, Race, and Performance: Arousal by Face and Identity Transformation
Identity and Performance
Humanity to Animality via Makeup
Face, Race, and Performance
1. Miss Saigon Dispute and Yellow Face
2. The Lion King, Cats, and War Paint
3. Jekyll & Hyde & So On
6. Dance Tango and Sing for Revenge in Chicago and The Visit
Chicago: Female Stars Dance and Sing for Revenge
The Visit: "Love and Love Alone"
Argument and Exploration
Chicago: Mocks on Murder
The Visit: Grotesque Parable of Revenge
Chicago: Vaudeville Show
The Visit: A Satire on Justice
Literary Reviews and Comments
Chicago: From Vaudeville to MTV by Film Editing to Sing Victory
Chicago: Dia-Chronicle Dynastic History
The Visit: Can Justice Be Got Without Money?
pt. III TV Drama, Robot Theatre and AI Films
7. Theatre, Performance, and Popular Story of Tanxi Palace
Theories of Performance Studies, Feminism, and Popular Culture
Synopsis: Speak Out in the Popular TV Drama
Popular Culture, History, Self Referentiality
Adaptation, not an Authentic History, but a Hyperreal
Comparison with Ruyi's Royal Love in the Palace
Performance of Chinese Beijing Opera and Ritual
Practice of Everyday Life in Performance Studies and Cultural Studies
Power and Surveillance
Popular Music and Catharsis
Feminism Desire and Female Pleasure
Post-Dramatic Theatre and Self-Reflexivity
Post-Feminism and Pop Culture
Conclusion: Popularity in Performance and Popular Culture
8. Hakka Theatre: Roseki Taipei Singer
Introduction: Hakka Theater Roseki
Play-Within-the-Play
Lyuu's Brief Bio
Theories & Post-colonialism
The Protagonist Lyuu Heh-Ruo
One Actor Plays Multiple Roles
Lyuu's Life and His Literature Works Are Inter-twined
Lyuu's Novels and Short Stories
Play-Within-the-Play, Multiple Roles
The Other and Abjection
Postcolonial Feminism
Stage Design of Minimalism
Worse Exploitation and Oppression
Music, Songs, Stage Design
9. Robot Theatre and AI Films
Development of Humannoids in Performance
AI Trend and AI Policy
Robot Theater Performance: Metamorphosis: Android Version
Development of the Geminoids
The Theory of Uncanny Valley
"Robot Actor Project"
Android-Human Theatre
Some Robot Performances
Three Sisters and the Other Robot Theater Performances
Robot Theater Performance Sayonara
Human Actors Play the Roles of Robots
Humans Accept or Reject AI Robots?
AI Robots Films
Simulacra, Cloning, Film Comments
Simulacra in AI Robot Films
Do Androids Dream of Electric Sheep?
AI with No Alluring Female Body but Voice
Image Synthesis
AI Holographic Simulacra
10. Conclusion
Main Points in Each Chapter
Future Research Plan
Works Cited.
Notes:
Includes bibliographical references and index.
Local Notes:
Acquired for the Penn Libraries with assistance from the Horace Howard Furness Memorial Fund.
Other Format:
ebook version :
ISBN:
9789811572968
9811572968
OCLC:
1197814489
Publisher Number:
99991375563

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