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From Daniel Boone to Captain America : playing Indian in American popular culture Chad A. Barbour

Historical Society of Pennsylvania - Closed Stacks PN 6725 .B33 2016
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Format:
Book
Author/Creator:
Barbour, Chad A., author.
Language:
English
Subjects (All):
Comic books, strips, etc--United States--History and criticism.
Comic books, strips, etc.
Indians in popular culture--United States.
Indians in popular culture.
Masculinity in popular culture.
Superheroes--History.
Superheroes.
Comic strip characters--History.
Comic strip characters.
Courage--Mythology.
Courage.
Frontier and pioneer life--Mythology--West (U.S.).
Frontier and pioneer life.
West (U.S.)--In popular culture.
West (U.S.).
Physical Description:
x, 212 pages : illustrations ; 24 cm
Other Title:
Playing Indian in American popular culture
Place of Publication:
Jackson : University Press of Mississippi, [2016]
Summary:
"From nineteenth-century American art and literature to comic books of the twentieth century and afterwards, in From Daniel Boone to Captain America Chad Barbour examines the transmission of the ideals and myths of the frontier and playing Indian in American culture. In the nineteenth century, American art and literature developed and nurtured images of the Indian and the frontiersman that exemplified ideals of heroism, bravery, and manhood, as well as embodying fears of betrayal, loss of civilization, and weakness. In the twentieth century, comic books, among other popular forms of media, would inherit these images. The Western genre of comic books participated fully in that genre's conventions, replicating and perpetuating the myths and ideals long associated with the frontier in the United States. A fascination with Native Americans was also present in comic books devoted to depicting the Indian past of the U.S. In such stories, the Indian is always a figure of the past, romanticized as a lost segment of U.S. history, ignoring contemporary and actual Native peoples. Playing Indian occupies a definite subgenre of the Western comics, especially during the postwar period when a host of comics featuring a "white Indian" as the hero were being published. Playing Indian migrates into superhero comics, a phenomenon that heightens and amplifies the notions of heroism, bravery, and manhood already attached to the white Indian trope. Instances of superheroes like Batman and Superman playing Indian correspond with the depictions found in the strictly Western comics. The superhero as Indian is revived in the twenty-first century via Captain America, attesting to the continuing power of this ideal and image."-- Provided by publisher.
Contents:
The Indian Male Body and the Heroic Ideal : Tecumseh and the Indians of Parkman and Cooper
The White Frontiersman, Manhood, Domesticity, and Loyalty
From the Nineteenth to the Twentieth Century : The Frontier Mythos in Comics Adaptations
"White Blood Turns Red" : Playing Indian in US Comics
When Superheroes Play Indian : Heroic Masculinity, National Identity, and Appropriation.
Notes:
Includes bibliographical references and index.
Local Notes:
Indian Rights Association Complimentary Collection
Other Format:
Online version: Barbour, Chad A. From Daniel Boone to Captain America.
ISBN:
9781496806840
1496806840
9781496820167
1496820169
OCLC:
930257169

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