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From Realism to the Silver Age New Studies in Russian Artistic Culture / edited by Rosalind P. Blakesley and Margaret Samu.

De Gruyter Cornell University Press Complete eBook-Package 2014-2015 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Ebook Central University Press Available online

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Format:
Book
Author/Creator:
Samu, Margaret, Author.
Contributor:
Samu, Margaret, editor of compilation.
Blakesley, Rosalind P. (Rosalind Polly), editor of compilation.
Valkenier, Elizabeth Kridl, honouree.
Series:
Studies of the Harriman Institute.
Studies of the Harriman Institute
Language:
English
Subjects (All):
Silver age (Russian arts).
Realism in art--Russia--History.
Realism in art.
Art, Russian--Russia--History--20th century.
Art, Russian.
Art, Russian--Russia--History--19th century.
Genre:
Electronic books.
Physical Description:
1 online resource (xiv, 226 pages).
Place of Publication:
DeKalb, IL : NIU Press, 2014.
Summary:
This volume of thirteen essays presents rigorous new research by western and Russian scholars on Russian art of the nienteenth and early-twentieth centuries. Over More than three decades after the publication of Elizabeth Valkenier's pioneering monograph, Russian Realist Art, this impressive collection showcases the latest methodology and subjects of inquiry, expanding the parameters of what has become an area of enormous intellectual and popular appeal. Major artists including Ilia Repin, Valentin Serov, and Wassily Kandinsky are considered afresh, as are the Peredvizhnik and Mir iskusstva movements and the Abramtsevo community. The book also breaks new ground to embrace subjects such as Russian graphic satire and children's book illustration, as well as stimulating aspects of patronage and display. Collectively, the essays include a range of approaches, from close textual readings to institutional critique. They also develop major themes inspired by Valkenier's work, among them: the emergence and evolution of cultural institutions, the development of aesthetic discourse and artistic terminology, debates between the Academy of Arts and its challengers, art criticism and the Russian press, and the resonance of various forms of nationalism within the art world. These and other questions engage multiple disciplines—those of art history, Slavic Russian studies, and cultural history, among others—and promise to fuel a vibrant and ascendant field.
Contents:
Elizabeth Kridl Valkenier and the world of Russian art / Ronald Meyer
Introduction / Rosalind P. Blakesley and Margaret Samu
Academic foot soldier or nationalist warhorse?: the Moscow school of painting and sculpture, 1843-1861 / Rosalind P. Blakesley
The brothers Konstantin and Vladimir Makovskii: one family, two fates / Elena Nesterova
Making a case for realism: the female nude in Russian satirical images of the 1860s / Margaret Samu
The Abramtsevo circle: founding principles and aesthetic direction / Eleonora Paston
Tolstoy, Ge, and two Pilates: a tale of the interarts / Jefferson J.A. Gatrall
Painting history, realistically / Molly Brunson
The contemporary reception of Ilia Repin's solo exhibition of 1891 / Galina Churak
Pavel Tretiakov's icons / Wendy Salmond
Closing the books on peredvizhnichestvo: Mir Iskusstva's long farewell to Russian realism / Janet Kennedy
Serov, Bakst, and the reinvention of Russia's classical heritage / Alison Hilton
Between East and West: the search for national identity in Russian illustrated children's books, 1800-1917 / Alla Rosenfeld
Kandinsky's study for "Composition no. II" 1909-1910: a theosophical reading / Marian Burleigh-Motley
Things that are not: Marianne Werefkin and the condition of silence / John E. Bowlt.
Notes:
Includes index.
Description based on print version record.
ISBN:
0-87580-703-8
1-5017-5704-0
OCLC:
1203952261

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