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Ankersentrum / Natascha Süder Happelmann ; edited by Natascha Süder Happelmann & Franciska Zólyom ; with contributions by Natascha Süder Happelmann, Rheim Alkadhi, Jasper Kettner, Maziyar Pahlevan, Jesko Fezer, Anita Kaspar & Andreas Müller, Kooperative Für Darstellungspolitik, Felix Meyer, Seda Naiumad & Fritz Lazlo Weber, Aino Korvensyrjä, David Jassey & Rex Osa with Seda Naiumad, Nida Ghouse, Maurice Louca, Dj Marfox, Tisha Mukarji, Jako Maron, Elnaz Seyedi, Jessica Ekomane, Helene Duldung, Franciska Zólyom.
LIBRA N7289.S237 A4 2019
Available from offsite location
- Format:
- Book
- Conference/Event
- Author/Creator:
- Sadr Haghighian, Natascha, 1968- artist.
- Conference Name:
- Biennale di Venezia (58th : 2019 : Venice, Italy)
- Language:
- English
- French
- German
- Subjects (All):
- Sadr Haghighian, Natascha, 1968-.
- Performance art.
- Identity (Philosophical concept) in art.
- Sadr Haghighian, Natascha, 1968---Exhibitions.
- Sadr Haghighian, Natascha.
- Identity (Philosophical concept) in art--Exhibitions.
- Artists--Biography--Criticism and interpretation--Exhibitions.
- Artists.
- Artists--Biography.
- Criticism and interpretation.
- Performance art--21st century--Exhibitions.
- Art, Modern--21st century--Exhibitions.
- Art, Modern.
- Genre:
- Criticism, interpretation, etc.
- Exhibition catalogs.
- Physical Description:
- 1 volume (unpaged) : illustrations (some color) ; 24 cm
- Other Title:
- Natascha Süder Happelmann : Ankersentrum
- Surviving the ruinous ruin
- Place of Publication:
- Berlin, Germany : Archive Books, [2019]
- Language Note:
- English and German; includes some text in French.
- Summary:
- "For the contribution to the German Pavilion 2019, Natascha Süder Happelmann works with a personal spokeswoman, Helene Duldung, and adapts her name especially for the task. The artist [Natascha Sadr Haghighian] has evaluated a collection of various different names that have been used by official authorities to address her over the last thirty years. After careful analysis of the variations, which have arisen due to autocorrect programmes and misspelling, she has used algorithmic parameters and social protocols to select the most suitable version: an optimal form of integration"--König Gallery website, access August 23, 2019.
- Notes:
- Catalog of an exhibition held within the 58th International Art Exhibition La Biennale Venezia, at the German Pavilion, Venice, Italy, May 11-November 24, 2019.
- Includes bibliographical references.
- Local Notes:
- Acquired for the Penn Libraries with assistance from the Adam H. Fetterolf Fund.
- ISBN:
- 9783948212032
- 3948212031
- OCLC:
- 1105064015
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