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The dragon in the West : from ancient myth to modern legend / Daniel Ogden.
- Format:
- Book
- Author/Creator:
- Ogden, Daniel, author.
- Language:
- English
- Subjects (All):
- Dragons--History.
- Dragons.
- Physical Description:
- 1 online resource (478 pages)
- Place of Publication:
- Oxon, UK : Oxford University Press, [2021]
- Summary:
- The Dragon in the West is the first book to offer an in-depth examination of the history of the image and idea of the dragon. A creature popular in contemporary fiction and cinema, Ogden reveals how the dragon was known to the ancient Greek and Roman worlds, and came down to us through early Christianity, Anglo-Saxon, and Norse legends.
- Contents:
- Cover
- The Dragon in the West: From Ancient Myth to Modern Legend
- Copyright
- Acknowledgements
- Contents
- List of Abbreviations
- List of Figures
- List of Tables
- Note on Orthography
- Introduction
- Part I: Heroes
- 1: Drakon: The Classical Dragon
- 1.1 Drakon: The Semantic Field
- 1.2 The Great Dragons of Myth: Dragon-Fights
- 1.2.1 The Dragon of Ares
- 1.2.2 The Dragon of Nemea
- 1.2.3 Ladon, the Dragon of the Hesperides
- 1.2.4 The Dragon of Colchis
- 1.2.5 Python (or Delphyne), the Dragon of Delphi
- 1.2.6 The Hydra, the Dragon of Lerna
- 1.3 The Dragons of Cult, Great and Small
- 1.3.1 Healing Gods: Asclepius and Amphiaraus
- 1.3.2 Gods of Good Fortune and Wealth: Zeus Meilichios and Agathos Daimon
- 1.4 '. . . and something more' (1): Drakontes with Additional Physical Attributes
- 1.5 '. . . and something more' (2): The Tails That Wag their Dogs
- 1.6 '. . . and something more' (3): Anguipedes, and Some Deep History
- 1.7 Six Core Narrative Motifs
- 1.8 Conclusion
- 2: Draco: The Roman Dragon
- 2.1 The Bagrada Dragon and its Libyan Context
- 2.2 Focalization and Anthropomorphization
- 2.3 Kindly Dragon Deities at Rome: Asclepius and Friends
- 2.4 Dragons, Dragons Everywhere: Genii Loci
- 2.5 Conclusion
- 3: Drakaina: The She-Dragon
- 3.1 The Grammarians
- 3.2 Pure-Serpent Drakainai, Tout Court
- 3.3 The Drakaina as a Female Anguipede
- 3.3.1 Echidna
- 3.3.2 Delphyne
- 3.3.3 Harmonia
- 3.3.4 Hecate, Hecate Ereschigal, Artemis
- 3.3.5 Erinyes (Furies)
- 3.4 Further Female Anguipedes Not Explicitly Designated by the Term Drakaina
- 3.4.1 Lamia
- 3.4.2 Campe
- 3.5 Conclusion: Occlusion
- 4: From Worm to Wyvern: The Evolution of the Western Dragon
- 4.1 Introduction: The Romanesque Dragon
- 4.2 Misleading Anticipations
- 4.3 Classical Sea-Monsters (Kete)
- 4.3.1 The Form of the Ketos.
- 4.3.2 The Ketos' Narrative Type
- 4.3.3 Further Aspects of the Partial Assimilation of
- and Ketos in Classical Literature
- 4.3.4 The Partial Assimilation of Drakon and Ketos in Classical Art
- 4.3.5 The Ketos Acquires Legs and Wings
- 4.4 The Early Christian Ketos in Art and Thought
- 4.4.1 Art
- 4.4.2 Thought
- 4.5 Drakontes, Legs, and Wings in the Classical World
- 4.6 The Drakon in Early Christian Art and Thought
- 4.7 The Demon, Winged or Flying, in Early Christian Art and Thought
- 4.8 The Drakon Takes Wing in its Own Right (c. ad 400): The Questions of Bartholomew, the Testament of Solomon, Jerome, and Augu
- 4.9 Enter the Wyvern: Four Illuminated Manuscripts of the Ninth Century ad: The Trier Apocalypse, the Stuttgart Psalter, the St
- 4.10 Coda: Two Legs Good, Four Legs Better
- Part II: Saints
- 5: Scripture and Shape
- 5.1 Introduction: The Hagiographical Dragon Fight
- 5.2 Scriptural Catalysts
- 5.2.1 Leviathan
- 5.2.2 The Serpent of Eden
- 5.2.3 Trampling on Snakes
- 5.2.4 Moses, Aaron, and the Dragon-Staffs
- 5.2.5 Jonah's Sea-Monster
- 5.2.6 Fiery Snakes
- 5.2.7 The Enemies of the Jews and John the Baptist
- 5.2.8 Daniel and the Dragon of Babylon
- 5.2.9 Paul in Malta
- 5.2.10 Abysses and the Dragon of Revelation
- 5.3 Dragon Terminology
- 5.4 The Dragon's Personality
- 5.5 The Physical Form of the Dragon
- 5.5.1 Indications of the Dragon's Anguiform Nature
- 5.5.2 Additional Parts: Beards, Crests, Legs, Wings, and Multi-Heads
- 5.5.3 Some Exceptional Individual Dragons: The Loch Ness Monster, the Tarasque, and the Péist of Inis Cathaigh
- 5.6 Conclusion
- 6: The Etiquette of the Saintly Dragon Fight (i) Its Principal Narrative Course
- 6.1 The Initial Problem
- 6.1.1 Marauding
- 6.1.2 Springs
- 6.1.3 The Dragon's Breath
- 6.1.4 The Dragon's Smokiness and Fieriness.
- 6.1.5 Further Effects of the Dragon's Breath and its Bite: Swelling and Lividity
- 6.1.6 The Dragon's Whipping Tail
- 6.2 The Saint Prepares for the Battle
- 6.2.1 The Petitioning of the Saint
- 6.2.2 Prayer and Fasting
- 6.2.3 Spiritual Armoury
- 6.2.4 Angelic Support
- 6.2.5 Attempted Dissuasion
- 6.3 At the Dragon's Lair
- 6.3.1 The Dragon's Home: Caves, Wells, Tombs, Islands, Groves
- 6.3.2 The Saint Presents Himself at the Dragon's Lair, or Summons the Dragon
- 6.4 The Saint's Mastery of the Dragon
- 6.4.1 The Dragon Compelled to Self-Harm
- 6.4.2 The Cross
- 6.4.3 The Dragon's Bowing and Fawning
- 6.4.4 The Binding of the Dragon's Neck with a Stole and the Stopping of its Mouth
- 6.5 The Dragon Is Subject to Exorcistic Banishment
- 6.5.1 Dragons, Demons, and the Devil
- 6.5.2 Exorcistic Imagery
- 6.5.3 Exorcistic Banishment to the Wilderness
- 6.5.4 The Dragon Sent to the Abyss (i): The Underworld
- 6.5.5 The Dragon Sent to the Abyss (ii): The Sea
- 6.5.6 Across or down the River
- over the Sea
- 6.5.7 Circularity of Banishment
- 6.6 The Dragon Is Killed
- 6.6.1 The Saint Commands the Dragon to Die or Actively to Commit Suicide
- the Dragon's Belching of Venom and its Bursting Open
- 6.6.2 Reciprocal Weapons against the Dragon: Breath, Spittle, and Fire
- 6.6.3 Staffs
- 6.6.4 Other Physical Weapons, Conventional and Unconventional
- 6.7 The Stench of the Dragon's Carcass and its Disposal
- 6.8 Lasting Results
- 6.8.1 The Conversion of the Local People
- 6.8.2 Memorialization: The Building of a Church, Monastery, or Hermitage
- 6.9 Conclusion
- 7: The Etiquette of the Saintly Dragon Fight (ii): Some Important Narrative Subroutines
- 7.1 The Great Dragon and its Serpent Brood
- 7.2 Virgins Sacrificed to the Dragon
- 7.3 Statue, Sacrifice, and Dragon
- 7.4 The Revival of the Last-Victim Boy.
- 7.5 Dragons Sent Back against their Magician Masters
- 7.6 Female Dragon-Fighting Saints
- 7.7 Back by Popular Demand: Serial Dragon-Fighters and Repeat-Offender Dragons
- 7.8 Conclusion
- 8: Close to the Point of Origin: Lucian's Chaldaean Snake-Blaster
- 8.1 Introduction and Text
- 8.2 Gospel Allusions
- 8.3 Engagement with the Hagiographical Tradition
- 8.3.1 The Serpent Brood Presided Over by a Drakon
- the Old-Man
- 8.3.2 The Last-Victim Boy
- 8.3.3 Blowing on the Drakon and Burning It
- 8.3.4 The Echidna, the Wounded Workman, and the Healing Digit
- 8.3.5 The Chip from the Virgin's Tombstone
- 8.3.6 The Abyss: A Displaced Motif?
- 8.4 Pagan Flavours
- 8.5 Conclusion
- 9: Theodore and George: Two Military Dragon-Slaying Saints in Context
- 9.1 A Later Theodore Narrative in Secular Context
- 9.1.1 Digenis Akritis
- 9.1.2 Callimachus and Chrysorrhoe (i): Introduction
- 9.1.3 Callimachus and Chrysorrhoe (ii): Summary
- 9.1.4 Callimachus and Chrysorrhoe (iii): The Poem's Dragons
- 9.1.5 Theodore Tyron Compared
- 9.2 George: Text and Image
- 9.3 Conclusion
- Part III: Vikings
- 10: Worms (Still) and Wyverns: The Form of the Germanic Dragon
- 10.1 'Worms' and 'Dragons': Ormr and Dreki
- 10.2 Ground-Based Dragons
- 10.3 Flying Dragons
- 10.3.1 Anglo-Saxon Flying Dragons
- 10.3.2 The Dragons of Thidrek's Saga and Erex's Saga
- 10.3.3 The Dragon of Adalsyssla
- 10.3.4 The Dragon of the Southern Seas
- 10.3.5 The Dragon of the Rhine
- 10.3.6 The Dragon of England
- 10.3.7 Valr and his Sons and Gull-Thorir as Dragons
- 10.3.8 Harek as a Flying Dragon
- 10.3.9 The Dragon of Wexford (à la Norse)
- 10.3.10 The Dragon of Valdimar's Saga
- 10.3.11 The Dragon of Tartary
- 10.4 Dragons Stranded between the Wormand the Winged-Dragon Configuration
- 10.4.1 Beowulf 's Firedrake
- 10.4.2 Pfetan
- 10.4.3 Fafnir.
- 10.4.4 The Dragon of Bergara: The Third Dragon of Thidrek's Saga
- 10.4.5 The Jakulus of Scythia
- 10.4.6 The Dragon of Colchis
- 10.5 Norse Iconography and Ships
- 10.6 Conclusion
- 11: To the River and Back: The Etiquette of the Germanic Dragon Fight
- 11.1 Genesis (i): Shape-Shifters
- 11.2 Genesis (ii): Lying on Treasure
- 11.3 Genesis (iii): Spine-Snakesand Corpse-Dragons
- 11.4 Genesis (iv): The Small Snake
- 11.4.1 A Tiny Snake Grows into a Troublesome Dragon
- 11.4.2 Principal Dragon and Brood
- 11.5 The Dragon's Weaponry
- 11.5.1 Venom and Fire (and Marauding)
- 11.5.2 Sound?
- 11.6 The Hand of the Princess
- 11.7 The Slayer's Weaponry
- 11.7.1 The Special Sword
- 11.7.2 Spears and Lances
- 11.7.3 Other Weapons
- 11.7.4 Protective Clothing
- 11.8 The Path from Cave-Lairto River
- 11.9 The Vulnerable Spot
- 11.10 The Dragon's Blood (and Venom Again)
- 11.11 Two Narrative Subroutines
- 11.11.1 Dragon and Lion
- 11.11.2 Snake Pits
- 11.12 Conclusion
- Conclusion
- Appendix A: The Myths Of Typhon And Of Other Indo-european And Near Eastern World-foundational Dragons Compared
- Appendix B: Hagiographical Dragon Fights: The Sources
- Appendix C: Germanic Dragon Fights: Texts and Translations
- References
- Index.
- Notes:
- Description based on print version record.
- ISBN:
- 0-19-256587-7
- 0-19-186854-X
- 0-19-256586-9
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