Self-commentary in early modern European literature, 1400-1700 / edited by Francesco Venturi.

Format:

Book

Contributor:

Venturi, Francesco, 1984- editor.

Series:

Intersections 62.

Intersections : interdisciplinary studies in early modern culture, 1568-1181 ; volume 62

Language:

English

Subjects (All):

Literature, Medieval--History and criticism.

Literature, Medieval.

European literature--Early modern, 1500-1700--History and criticism.

European literature.

Physical Description:

1 online resource (445 pages)

Place of Publication:

Leiden ; Boston : Brill, [2019]

Summary:

This volume investigates the various ways in which writers comment on, present, and defend their own works, and at the same time themselves, across early modern Europe. A multiplicity of self-commenting modes, ranging from annotations to explicatory prose to prefaces to separate critical texts and exemplifying a variety of literary genres, are subjected to analysis. Self-commentaries are more than just an external apparatus: they direct and control reception of the primary text, thus affecting notions of authorship and readership. With the writer understood as a potentially very influential and often tendentious interpreter of their own work, the essays in this collection offer new perspectives on pre-modern and modern forms of critical self-consciousness, self-representation, and self-validation. Contributors are Harriet Archer, Gilles Bertheau, Carlo Caruso, Jeroen De Keyser, Russell Ganim, Joseph Harris, Ian Johnson, Richard Maber, Martin McLaughlin, John O’Brien, Magdalena Ożarska, Federica Pich, Brian Richardson, Els Stronks, and Colin Thompson.

Contents:

Front Matter

Copyright page

Acknowledgements

Illustrations

Notes on the Editor

Notes on the Contributors

Introduction / Francesco Venturi

Alberti’s Commentarium to His First Literary Work: Self-Commentary as Self-Presentation in the Philodoxeos / Martin McLaughlin

Elucidation and Self-Explanation in Filelfo’s Marginalia / Jeroen De Keyser

Vernacular Self-Commentary during Medieval Early Modernity: Reginald Pecock and Gavin Douglas / Ian Johnson

On the Threshold of Poems: a Paratextual Approach to the Narrative/Lyric Opposition in Italian Renaissance Poetry / Federica Pich

Self-Commentary on Language in Sixteenth-Century Italian Prefatory Letters / Brian Richardson

‘All Outward and on Show’: Montaigne’s External Glosses / John O’Brien

Companions in Folly: Genre and Poetic Practice in Five Elizabethan Anthologies / Harriet Archer

The Journey of the Soul: The Prose Commentaries on His Own Poems by St John of the Cross / Colin P. Thompson

Blood, Sweat, and Tears: Annotation and Self-Exegesis in La Ceppède / Russell Ganim

Can a Poet be ‘Master of [his] owne Meaning’? George Chapman and the Paradoxes of Authorship / Gilles Bertheau

Critical Failures: Corneille Observes His Spectators / Joseph Harris

Self-Criticism, Self-Assessment, and Self-Affirmation: The Case of the (Young) Author in Early Modern Dutch Literature / Els Stronks

Reading the Margins: The Uses of Authorial Side Glosses in Anna Stanisławska’s Transaction (1685) / Magdalena Ożarska

Mockery and Erudition: Alessandro Tassoni’s Secchia rapita and Francesco Redi’s Bacco in Toscana / Carlo Caruso

Afterword / Richard Maber

Back Matter

Index Nominum.

Notes:

Includes bibliographical references and index.

ISBN:

90-04-39659-4

Publisher Number:

10.1163/9789004396593 DOI