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Sonic technologies : popular music, digital culture and the creative process / Robert Strachan.

EBSCOhost Academic eBook Collection (North America) Available online

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EBSCOhost eBook Community College Collection Available online

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Ebook Central Academic Complete Available online

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Format:
Book
Author/Creator:
Strachan, Robert, author.
Language:
English
Subjects (All):
Popular music--Philosophy and aesthetics.
Popular music.
Popular music--Production and direction.
Computer music--History and criticism.
Computer music.
Electronic music--History and criticism.
Electronic music.
Digital audio editors.
Creation (Literary, artistic, etc.).
Music and technology.
Physical Description:
1 online resource (205 pages)
Distribution:
London, England : Bloomsbury Publishing, 2020
Place of Publication:
London, England : Bloomsbury Academic, 2020.
Summary:
"Awarded a Certificate of Merit at the ARSC Awards for Excellence 2018 In the past two decades digital technologies have fundamentally changed the way we think about, make and use popular music. From the production of multimillion selling pop records to the ubiquitous remix that has become a marker of Web 2.0, the emergence of new music production technologies have had a transformative effect upon 21st Century digital culture. Sonic Technologies examines these issues with a specific focus upon the impact of digitization upon creativity; that is, what musicians, cultural producers and prosumers do. For many, music production has moved out of the professional recording studio and into the home. Using a broad range of examples ranging from experimental electronic music to more mainstream genres, the book examines how contemporary creative practice is shaped by the visual and sonic look and feel of recording technologies such as Digital Audio Workstations."-- Provided by publisher.
Contents:
Title Page; Copyright Page; Contents; Acknowledgements; Introduction; Chapter 1 Digital technologies, democratization and cultural production; Chapter 2 Affordance, digital audio workstations and musical creativity; Chapter 3 Digital technology and technique in the creative process; Chapter 4 Creativity as discourse/creativity as experience in electronic dance music and electronica; Chapter 5 Digital aesthetics: Cyber genres, Auto-Tune and digital perfectionism; Conclusion; Works Cited; Index.
Notes:
Includes bibliographical references.
Print version record and CIP data provided by publisher; resource not viewed.
ISBN:
9781501310652
1501310658
9781501310638
1501310631
OCLC:
1201427153

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