Al is klar / Piaras Hoban.

Format:

Musical score

Author/Creator:

Hoban, Piaras, 1986-

Language:

Undetermined

Genre:

Notated music.

Physical Description:

1 online resource (1 pages) ; A3 - Tabloid

Place of Publication:

Paris : BabelScores, 2012.

System Details:

PDF

Notes:

"The only thing the reader will see marching past him are inadequate means: fragments, allusions, strivings, investigations. Do not try to find a well-polished sentence or a perfectly coherent image in it, what is printed on the pages is an embarrassed word, a stuttering..." [Andrei Biely, Carnets d'un toqué] [all-none] of this happens elsewhere.?that little is clear.?a tree. a broken arch.?if I were to open my eyes I'd be a stranger. what can I make [in-of] this place? [peer an instant. hobble. on] precious little. that much is clear. time now, little. inside. away. [Piaras Hoban] For me, the way was duration. Duration as the primary means of articulation-expression in harpsichord music. Duration leads to different temporalities: a temporal structure which extends cyclically through time; temporal phenomena which articulate an instantaneous experience of the present; fragments of the past. Another impetus: O'Riada and the harpsichord. What is my relation to this European tradition? What can I say to it if I say I am not of it? "The only thing the reader will see marching past him are inadequate means: fragments, allusions, strivings, investigations. Do not try to find a well-polished sentence or a perfectly coherent image in it, what is printed on the pages is an embarrassed word, a stuttering..." [Andrei Biely, Carnets d'un toqué] [all-none] of this happens elsewhere.?that little is clear.?a tree. a broken arch.?if I were to open my eyes I'd be a stranger. what can I make [in-of] this place? [peer an instant. hobble. on] precious little. that much is clear. time now, little. inside. away. [Piaras Hoban] For me, the way was duration. Duration as the primary means of articulation-expression in harpsichord music. Duration leads to different temporalities: a temporal structure which extends cyclically through time; temporal phenomena which articulate an instantaneous experience of the present; fragments of the past. Another impetus: O'Riada and the harpsichord. What is my relation to this European tradition? What can I say to it if I say I am not of it?

Publisher Number:

979-0-2325-0680-7

Access Restriction:

Restricted for use by site license.