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Painted alchemists : early modern artistry and experiment in the work of Thomas Wijck / Elisabeth Berry Drago.
- Format:
- Book
- Author/Creator:
- Berry Drago, Elisabeth, author.
- Series:
- Amsterdam studies in the Dutch golden age.
- Amsterdam studies in the Dutch golden age
- Language:
- English
- Subjects (All):
- Wyck, Thomas, approximately 1616-1677.
- Wyck, Thomas.
- Alchemy--History.
- Alchemy.
- Alchemy in art.
- Physical Description:
- 1 online resource (281 pages) : digital, PDF file(s).
- Place of Publication:
- Amsterdam : Amsterdam University Press, 2019.
- Language Note:
- In English.
- Biography/History:
- Elisabeth Berry Drago studies interconnected histories of art and science in the Dutch Golden Age. She received her PhD from the University of Delaware, and is a former Fellow of the Science History Institute in Philadelphia.
- Summary:
- Thomas Wijck's painted alchemical laboratories were celebrated in his day as "artful" and "ingenious." They fell into obscurity along with their subject, as alchemy came to be viewed as an occult art or a fool's errand. But these unusual pictures challenge our understanding of early modern alchemy-and of the deeper relationship between chemical workshops and the artists who represented them. The work of artists, like the work of alchemists, contained intellectual-creative and manual-material aspects. Both alchemists and artists claimed a special status owing to their creative powers. Wijck's formation of an artistic and professional identity around alchemical themes reveals his desire to explore this curious territory, and ultimately to demonstrate art's superior claims to knowledge and mastery over nature. This book explores one artist's transformation of alchemy and its materials into a reputation for virtuosity-and what his work can teach us about the experimental early modern world.
- Contents:
- Curiosity and convention
- Authority and secrecy
- Bruegel, Stradanus, and beyond : pictorial precedents
- Thomas Wijck, "artful" and "ingenious"
- The young Wijck
- An expanding market
- Wijck's reputation
- Wijck's alchemical artisans
- Chronology
- The alchemist as paterfamilias
- The alchemist as artisan
- The alchemist as scholar
- An experiment in Haarlem
- Practical alchemy in Wijck's networks
- Van Eyck, Goltzius, and the model of the experimental artist
- Representing alchemy in Haarlem
- The artist's laboratories abroad
- Alchemy, magic, and "secrets" in Rome and Naples
- Elite alchemy and experiment in London
- The "foreign" alchemist
- The master of nature
- Oil painting and the art-alchemy debate
- Making and representing pigments
- Alchemy, artistry, and identity
- Epilogue
- Bibliography
- Index.
- Notes:
- Title from publisher's bibliographic system (viewed on 20 Nov 2020).
- Includes bibliographical references and index.
- ISBN:
- 1-003-70103-5
- 90-485-3777-0
- 9781003701033
- OCLC:
- 1088722741
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