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Pixar and the Aesthetic Imagination : Animation, Storytelling, and Digital Culture / Eric Herhuth.

De Gruyter University of California Press Complete eBook-Package 2017 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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EBSCOhost eBook Community College Collection Available online

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Ebook Central University Press Available online

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Ebscohost Ebooks University Press Collection (North America) Available online

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Format:
Book
Author/Creator:
Herhuth, Eric, author.
Language:
English
Subjects (All):
Pixar (Firm).
Toy story (Motion picture).
Monsters, Inc. (Motion picture).
Incredibles (Motion picture).
Ratatouille (Motion picture).
Motion pictures--Aesthetics.
Motion pictures.
Animated films--United States--Psychological aspects.
Animated films.
Physical Description:
1 online resource (253 pages) : illustrations, photographs
Place of Publication:
Berkeley, CA : University of California Press, [2017]
Language Note:
In English.
Summary:
In Pixar and the Aesthetic Imagination, Eric Herhuth draws upon film theory, animation theory, and philosophy to examine how animated films address aesthetic experience within contexts of technological, environmental, and sociocultural change. Since producing the first fully computer-animated feature film, Pixar Animation Studios has been a creative force in digital culture and popular entertainment. But, more specifically, its depictions of uncanny toys, technologically sublime worlds, fantastic characters, and meaningful sensations explore aesthetic experience and its relation to developments in global media, creative capitalism, and consumer culture. This investigation finds in Pixar's artificial worlds and transformational stories opportunities for thinking through aesthetics as a contested domain committed to newness and innovation as well as to criticism and pluralistic thought.
Contents:
Frontmatter
Contents
List of Illustrations
Acknowledgments
Introduction
1. Aesthetic Storytelling: A Tradition and Theory of Animated Film
2. The Uncanny Integrity of Digital Commodities (Toy Story)
3. From the Technological to the Postmodern Sublime (Monsters, Inc.)
4. The Exceptional Dialectic of the Fantastic and the Mundane (The Incredibles)
5. Disruptive Sensation and the Politics of the New (Ratatouille)
Conclusion
Notes
Bibliography
Index
Notes:
Includes bibliographical references and index.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Sep 2019)
ISBN:
9780520966055
0520966058
OCLC:
965831620

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