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Liszt in context / edited by Joanne Cormac.
- Format:
- Book
- Series:
- Composers in context.
- Composers in context
- Language:
- English
- Subjects (All):
- Liszt, Franz, 1811-1886--Criticism and interpretation.
- Liszt, Franz.
- Music--19th century--History and criticism.
- Music.
- Physical Description:
- 1 online resource (xii, 335 pages) : digital, PDF file(s).
- Edition:
- 1st ed.
- Place of Publication:
- Cambridge : Cambridge University Press, 2022.
- Summary:
- Liszt in Context explores the political, social, philosophical and professional currents that surrounded Franz Liszt and illuminates the competing forces that influenced his music. Liszt was immersed in the religious, political and cultural debates of his day, and moved between institutions, places, and social circles with ease. All of this makes for a rich contextual tapestry against which Liszt composed some of the most iconic, popular, and also contentious music of the nineteenth century. His significance and astonishing reach cannot be over-stated, and his presence in nineteenth-century European culture, and his continuing influence into the twentieth and twenty-first centuries, are overwhelming. The focus on context, reception, and legacy that this volume provides reveals the multifaceted nature of Liszt's impact during his lifetime and beyond.
- Contents:
- Cover
- Half-title
- Series information
- Title page
- Copyright information
- Contents
- List of Illustrations and Tables
- List of Contributors
- Preface
- Part I People and Places
- Chapter 1 Family Background
- Chapter 2 Liszt's Teachers
- Adam Liszt (1776-1827)
- Carl Czerny (1791-1857)
- Antonio Salieri (1750-1825)
- Ferdinando Paer (1771-1839)
- Antoine Reicha (1770-1836)
- Chapter 3 Paris
- Chapter 4 Italy
- Chapter 5 Liszt and Wagner
- Early Encounters
- From Lohengrin to Sardanapalo
- Borrowings, Cosima and 'Bayreuth's Poodle'
- Posterity
- Chapter 6 The New German School
- Chapter 7 Weimar
- Chapter 8 Liszt and His Contemporaries
- Liszt and Russian Composers
- Liszt and Czech Composers
- Chapter 9 Liszt in Hungary
- Liszt's Rhapsodies Hongroises and the 'Gypsy Question'
- Liszt's Larger-Scale 'Hungarian' Works and His Role in Hungarian Institution-Building
- Liszt's Legacy in Hungary
- Part II Society, Thought and Culture
- Chapter 10 The 'War' of the Romantics
- Chapter 11 Visual Art and Artists
- Raphael and the Spiritual Mission of the Artist
- Kaulbach and the Triumph of Christendom
- Zichy and the Transcendence of Death
- Conclusion
- Chapter 12 Literature and Literary Heroes
- French Romanticism
- Byron
- Weimar Classicists
- Chapter 13 Liszt, Women and Salon Culture
- The New Women of the Nineteenth-Century
- Liszt: A New Man for the New Women
- An Artist in a Net(work) of Salonnières
- La Mara, Liszt and Women
- Chapter 14 Liszt as a Writer
- Chapter 15 Patronage: The Court
- Athens of the North
- Chapter 16 Liszt and the Networks of Revolution
- Liszt, Marx, Engels, Herwegh and Lassalle
- Aristocratic Patrons and Revolution
- Chapter 17 Liszt's National Identity: What Else Is New?
- A Contested Identity
- Early Twenty-First Century Deconstructions.
- Analysing National Identity in Music
- Chapter 18 Liszt and Religion
- Part III Performance and Composition
- Chapter 19 Pianos and Piano Builders
- French Pianos: The Érard and Boisselot Firms
- Austrian Pianos: The Streicher and Bösendorfer Firms
- American Pianos: The Chickering and Steinway Firms
- Conclusion: Liszt's Favourite Piano?
- Chapter 20 Liszt on the Road: The Rise of the Modern Virtuoso Pianist
- Chapter 21 Virtuosity
- Creating the Virtuoso
- The Virtuoso as Composer
- Virtuosity after Liszt
- Chapter 22 Improvisation
- Chapter 23 Transcription
- Transcription as Commercial Product
- Transcription as Artistic Product
- Transcription as Showcase
- Chapter 24 Liszt as Conductor
- Chapter 25 Publishers
- Chapter 26 Genre
- Aesthetic Contexts
- Synthesizing the Instrumental and the Conceptual
- Part IV Reception and Legacy
- Chapter 27 Pupils: Liszt as Teacher
- Vienna and Paris, 1820s-1830s
- Weimar: The 1850s
- Weimar: The 1880s and Beyond
- Chapter 28 Critics
- Chapter 29 Lateness in Context
- Liszt as the First Author of His Lateness Story
- The Modernist Rehabilitation
- Aesthetic Worth
- A Possible Future for Liszt's Lateness
- Chapter 30 Liszt and the Twentieth and Twenty-First Centuries
- The Symphonic Poem
- Pianistic Style
- Musical Characteristics
- Approaching the Twenty-First Century
- Chapter 31 Life-Writing
- Liszt the Biographer
- Liszt in Biography
- Chapter 32 Iconography
- Chapter 33 Liszt in Film
- Historical Accuracy versus Storytelling
- Biographical Stereotypes I: Liszt as Actor or Charlatan
- Biographical Stereotypes II: The Pianist as Lover
- Music
- Further Reading
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14.
- Editions of Liszt's Works
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Index.
- Notes:
- Title from publisher's bibliographic system (viewed on 13 Oct 2021).
- Includes bibliographical references and index.
- Other Format:
- Print version: Liszt in context
- ISBN:
- 1-108-38633-4
- 1-108-38993-7
- 1-108-37825-0
- OCLC:
- 1259297118
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