Deformances : destellos de una cartografía teatral de las desobediente / Mina Bevacqua.

Format:

Book

Author/Creator:

Bevacqua, María Guillermina, 1983- author.

Language:

Spanish

Subjects (All):

Barea, Batato, 1961-1991--Criticism and interpretation.

Barea, Batato.

Barea, Batato, 1961-1991.

Centro Cultural Rector Ricardo Rojas--History.

Centro Cultural Rector Ricardo Rojas.

Theater--Argentina--History--20th century.

Theater.

Transgender artists.

Performance art.

Experimental theater.

History.

Criticism and interpretation.

Argentina.

Experimental theater--Argentina.

Performance art--Argentina--20th century.

Trans artists--Argentina--20th century.

Trans artists.

Physical Description:

317 pages : illustrations ; 21 cm

Edition:

Primera edición.

Place of Publication:

Ciudad Autónoma de Buenos Aires : Editorial Libretto, 2020.

Language Note:

In Spanish.

Summary:

In the eighties, at the Centro Cultural Ricardo Rojas (C.C.R.R) of the University of Buenos Aires, Batato Barea (a clown-transvestite-literary) proposed a body dramaturgy that disregarded the logic of sex-gender. In the new millennium, within the framework of the activities developed by the Gender Technologies Area of the mentioned institution, his figure was evoked, in a spectral manner, through a scenic program that dialogued with the social movement of the transvestites of Buenos Aires city. From this intersection at the C.C.R.R., author Guillermina "Mina" Bevacqua (Concepcion del Uruguay (Entre Rios), 1983) traced a theatrical cartography of sex-gender disobediences in the period 1984-2014. To give an account of the institutional profile that made this tour possible, the first part of her work, is a historiographical panorama of the Centro Cultural Ricardo Rojas. Then, in the second part, she reflects on the characterization of this cartography. Finally, the DEFORMANCE concept is explicit, as an anti-productive category under which to register the corpus of artists that participated in the institution, intermittently, throughout its 30 years.

Contents:

Introducción

Capitulo 1: El Centro Cultural Rojas: escenario para las deformances

Capitulo 2: Batato Barea: Claun travesti

Capitulo 3: Noventa, dos mil, mosquito

Capitulo 4: Prácticas escénicas autobiográficas en la programación del área de tecnologías de género.

Notes:

Includes bibliographical references (pages 291-317)

ISBN:

9789874704849

OCLC:

1285862427