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Dark Precursor Deleuze and Artistic Research / Volume I, The dark precursor in sound and writing : [electronic resource] : edited by Paulo de Assis and Paolo Giudici.

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Format:
Book
Conference/Event
Contributor:
Giudici, Paolo, editor.
Assis, Paulo de, editor.
Orpheus Instituut, issuing body.
Conference Name:
Dark Precursor: International Conference on Deleuze and Artistic Research (2015 : Ghent, Belgium)
Series:
Orpheus Institute series.
Orpheus Institute Series
Language:
English
Subjects (All):
Deleuze, Gilles, 1925-1995.
Deleuze, Gilles.
Art--Study and teaching--Philosophy.
Art.
Genre:
Electronic books.
Physical Description:
1 online resource (1 PDF (569 pages) :) illustrations, music
Place of Publication:
Leuven, Belgium : Leuven University Press, [2017]
Summary:
Gilles Deleuze's intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze's subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze's concept of the dark precursor as it affects artistic research, providing a wide-ranging panorama on the intersection between music, art, philosophy, and scholarship. The forty-eight chapters in this publication present a kaleidoscopic view of different fields of knowledge and artistic practices, exposing for the first time the diversity and richness of a world situated between artistic research and the philosophy of Gilles Deleuze and Felix Guattari. Within different understandings of artistic research, the authors--composers, architects, performers, philosophers, sculptors, film-makers, painters, writers, and activists--map practices and invent concepts, contributing to a creative expansion of horizons, materials, and methodologies.
Contents:
Preface / Paulo de Assis
part 1. Sound
The obscure precursor, French modernism, and the musics of the world / Edward Campbell
The executing machine : Deleuze, Boulez, and the politics of desire / Martin Scherzinger
Deleuze's fold in the performing practice of Aaron Cassidy's The pleats of matter / Diego Castro-Magas
Variables, diagrams, process / Pascale Criton
Performing music, performing the figure : Deleuze and painting / Lois Fitch
Machining the voice through the continuous variation / Paolo Galli
Templates for technique in Mantel and Lachenmann : between transcendence and immanence / Keir GoGwilt
Towards a figural paradigm in music : capture of forces and logic of sensation in Geometries de l'abîme (LeBlanc), In Vivo (Cendo), and The restoration of objects (McCormack) / Jimmie LeBlanc
L'image-temps : conceptual foundations of my compositional approach / Nicolas Marty
Circumstantial scores, graphic scores, extended scores : the work as "ecopraxic" rediagrammatisation / Frederic Mathevet
Perform now! The ethics of musical improvisation / Vincent Meelberg
Thinking sound through the notion of the time-image : Deleuze's cinema studies as a model for problematising sound in artistic practice / Gabriel Paiuk
Re-notations : flattening hierarchies and transforming functions / Einar Torfi Einarsson
Alone/together : simulacral "a-presentation" in and into practice-as-research in jazz / Steve Tromans and Mike Fletcher
A journey of refrains, vibes, and ambiences : Felix Guattari in terms of the techno party scene / Toshiya Ueno, aka Toshiya the Triba
part 2. Writing and staging
Corpus Delicti #2 : untimely precursors lecture performance / Arno Böhler and Susanne Valerie
Deleuze's expressionism as an ontology for theatre / Zornitsa Dimitrova
Space and sensation : Zoe Degani's art of pluralising signs onstage / Lindsay Gianoukas
Journey into the unknown : Romeo Castellucci's theatre of signs / Oleg Lebedev
From schizoproduction to non-standard artistic research / Tero Nauha
Deleuze and perversion / Catarina Pombo Nabais
Deleuze, Simondon, and Beckett : from being to becoming / Audronė Žukauskaitė.
Notes:
Published for Orpheus Institute, Ghent
Includes bibliographical references and index.
Description based on print version record.
ISBN:
94-6166-233-5
OCLC:
1028970022

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