The memory marketplace : witnessing pain in contemporary Irish and international theatre / Emilie Pine.

Format:

Book

Author/Creator:

Pine, Emilie, author.

Series:

Irish culture, memory, and place.

Irish culture, memory, place

Language:

English

Subjects (All):

Pain in literature.

Psychic trauma in literature.

Collective memory in literature.

Collective memory and literature.

Physical Description:

1 online resource (262 pages).

Edition:

First edition.

Place of Publication:

Bloomington, Indiana : Indiana University Press, [2020]

Summary:

"What happens when cultural memory becomes a commodity? Who owns the memory? In The Memory Marketplace, Emilie Pine explores how memory is performed both in Ireland and abroad by considering the significant body of contemporary Irish theatre that contends with its own culture and history. Analyzing examples from this realm of theatre, Pine focuses on the idea of witnesses, both as performers on stage and as members of the audience. Whose memories are observed in these transactions, and how and why do performances prioritize some memories over others? What does it mean to create, rehearse, perform, and purchase the theatricalization of memory? The Memory Marketplace shows this transaction to be particularly fraught in the theatricalization of traumatic moments of cultural upheaval, such as the child sexual abuse scandal in Ireland. In these performances, the role of empathy becomes key within the marketplace dynamic, and Pine argues that this empathy shapes the kinds of witnesses created. The complexities and nuances of this exchange-subject and witness, spectator and performer, consumer and commodified-provide a deeper understanding of the crucial role theatre plays in shaping public understanding of trauma, memory, and history".

Introduction: The Market for Pain -- Tell Them That You Saw Us: Witnessing Docu-verbatim Memory -- The Witness as Commodity: Autoperforming Memory -- The Commissioned Witness, Theatre, and Truth -- The Immaterial Labor of Listening: Presence, Absence, Failure, and the Commodification of the Witness -- Consumers or Witnesses: Site-Specific Performance -- Conclusion: Activism in the Marketplace.

Contents:

Introduction: The Market for Pain

Tell Them That You Saw Us: Witnessing Docu-verbatim Memory

The Witness as Commodity: Autoperforming Memory

The Commissioned Witness, Theatre, and Truth

The Immaterial Labor of Listening: Presence, Absence, Failure, and the Commodification of the Witness

Consumers or Witnesses: Site-Specific Performance

Conclusion: Activism in the Marketplace.

Notes:

Includes bibliographical references and index.

Description based on print version record.

ISBN:

0-253-04952-0

0-253-04951-2

OCLC:

1155708819