My Account Log in

3 options

Photography and death : framing death throughout history / authored by Racheal Harris (Deakin University, Australia).

EBSCOhost Academic eBook Collection (North America) Available online

View online

EBSCOhost eBook History Collection - North America Available online

View online

Ebook Central Academic Complete Available online

View online
Format:
Book
Author/Creator:
Harris, Racheal, author.
Series:
Emerald studies in death and culture.
Emerald studies in death and culture
Language:
English
Subjects (All):
Postmortem photography--Psychological aspects.
Postmortem photography.
Death--Psychological aspects.
Death.
Physical Description:
1 online resource (ix, 190 pages) : illustrations
Edition:
1st ed.
Place of Publication:
Bingley, England : Emerald Publishing, [2020]
Summary:
Examining a spectrum of post-mortem images, this volume considers what death photography communicates about attitudes related to dying, mourning and the afterlife. Focusing on American examples, topics are discussed alongside contemporary representations of death, as seen in celebrity death images and forensic photography.
Contents:
Intro
Half Title Page
Series Page
Title Page
Copyright Page
Dedication Page
Contents
List of Images
Acknowledgements
Introduction-Death and Post-mortem Photography in History
Chapter 1-Romance: Post-mortem Photography
1.1 Alternatives to Pre- and Post-mortem Portraiture
1.2 The Good Death
1.3 Composition of the Death and Near-death Image
1.4 The Imitation of Life
1.5 Post-mortem Coffin Images
1.6. Counter Narratives
1.7. Other Uses for Death Photography
1.8. Conclusion
Chapter 2-Anonymity: War Photography
2.1. Photojournalism and Death
2.2. Photographing the Dead: The Battlefield
2.3. Interacting with the Dead: Mass Production of Images
2.4. Later War Images
2.5. World War I
2.6. World War II
2.7. Embalming the Dead: Preservation of Soldiers
2.8. Conclusion
Chapter 3-Continuance: Spirit Photography
3.1. Spirit Images and Spiritualism
3.2. The Relationship between War and Spiritualism
3.3. Composition of the Spirit Image
3.4. William Mumler
3.5. Séance Photographs
3.6. Conclusion
Pictorial Inserts
Chapter 4-Violence: The Lynching Photograph
4.1. OWNERSHIP OF THE BODY AND THE LYNCHING IMAGE
4.2. Lynching and Race
4.3. Lynching and Segregation
4.4. Lynching Images
4.5. History and Contemporary Guilt
4.6. Historical Evidence and the Death Narrative
4.7. The Audience Within
4.8. The Audience Without
4.9. Conclusion
Chapter 5-Ownership: Celebrity Death
5.1. Ownership of the Celebrity Body
5.2. Body Removal
5.3. Scene of the Crime
5.4. Suicide and Autopsy Photographs
5.5. Kurt Cobain
5.6. Tupac
5.7. THE IMAGE AS KEEPSAKE
5.8. Celebrity Grave Sites
5.9. Conclusion
Notes:
Includes index.
Includes bibliographical references.
Print version record.
ISBN:
9781839090479
1839090472
9781839090455
1839090456

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account