A companion to impressionism / edited by André Dombrowski.

Format:

Book

Author/Creator:

Dombrowski, André.

Contributor:

Dombrowski, André, editor.

ProQuest ebook central.

Kowell Family Art History Fund.

Series:

Wiley-Blackwell companions to art history ; 24.

Wiley Blackwell companions to art history ; 24

Language:

English

Subjects (All):

Impressionism (Art).

Painting, Modern--19th century.

Painting, Modern.

Physical Description:

1 online resource (xxi, 609 pages) : illustrations.

Place of Publication:

Chichester, West Sussex ; Hoboken, NJ : Wiley Blackwell, 2021.

[Place of publication not identified] : [publisher not identified], [2021]

System Details:

text file

Contents:

Part I What Was Impressionism? What Is an Impression? Definitions and New Directions p. 9

1 Impressionism and Criticism p. 11 / Marnin Young

2 Rethinking the Origins of Impressionism; The Case of Claude Monet and Corner of a Studio p. 27 / Mary-Dailey Desmarais

3 Monet in the 1880s: The Motif in Crisis p. 43 / Marc Gotlieb

4 As a Glass Eye: Manet's Flower Paintings p. 61 / Briony Fer

5 Figuring Perception: Monet's Leap into Plein Air, 1866-1867 p. 75 / Michael Marrinan

6 Pater, Impressionism, and the Undoing of Sense p. 93 / Jeremy Melius

7 The Impressionist Mind: Modern Painting and Nineteenth-Century Readerships p. 107 / Ségolène Le Men

Part II Painting as Object: Tools, Materials, and Close Looking p. 127

8 Impression, Improvisation, and Premeditation: New Insights into the Working Methods and Creative Process of Claude Monet p. 129 / Gloria Groom and Kimberley Muir

9 Piquer, Plaquer: Cézanne, Pissarro, and Palette-Knife Painting p. 146 / Nancy Locke

10 John Singer Sargent's Lady with a Blue Veil and the Matter of Paint p. 162 / Susan Sidlauskas

Part III New Visual Media and the Other Arts p. 181

11 Painting Photographing Ballooning: At the Boulevard des Capucines p. 183 / Carol M. Armstrong

12 Series and Screens: Seeing Monet's Cathedrals through the Lens of the Cinematograph p. 201 / Marine Kisiel

13 Critical Impressionism: A Painting by Mary Cassatt and Its Challenge to the Social Rules of Art p. 219 / Anne Higonnet

14 James McNeill Whistler: Veiling the Everyday p. 234 / Caroline Arscott

Part IV Impressionism and Identity p. 251

15 Cassatt's Alterity p. 253 / Hollis Clayson

16 Bazille, Degas, and Modern Black Paris [Excerpt from Posing Modernity: The Black Model from Manet and Matisse to Today, Yale University Press, pp. 70-83, with a new preface. Reprinted with permission from Yale University Press] p. 271 / Denise Murrell

17 Expert Hands, Infectious Touch: Painting and Pregnancy in Morisot's The Mother and Sister of the Artist p. 287 / Mary Hunter

18 Painting the Prototype: The (Homo)sexuality of Bazille's Summer Scene p. 304 / Jonathan D. Katz and André Dombrowski

Part V Public and Private p. 323

19 Revival and Risk: Renoir, Fragonard, and the Epistolary Theme p. 325 / Nina L. Dubin

20 "The Little Dwarf and the Giant Lady:" At Home with Gustave Caillebotte p. 343 / Felix Krämer

21 Renoir, Impressionism, and the Value of Touch p. 357 / Martha Lucy

22 Morisot's Urbane Ecologies p. 375 / Alison Syme

23 Incorporating Impressionism: The Société anonyme and the First Impressionist Exhibition in 1874 p. 393 / André Dombrowski

Part VI World Impressionism p. 415

24 "Plume Mania:" Degas, Feathers, and the Global Millinery Trade p. 417 / Simon Kelly

25 Home and Alienation in the Colonies: Auguste Renoir in Algiers, Jean Renoir in India p. 435 / Todd Porterfield

26 Impressionism in Japan: The Awakening of the Senses p. 452 / Takanori Nagaï

27 Impressionism in Argentina: A Historiographical Discussion p. 466 / Laura Malosetti Costa

28 Turkish Impressionism: Interplays of Culture and Form p. 484 / Ahu Antmen

29 Impressionism and Naturalism in Germany: The Competing Aesthetic and Ideological Imperatives of a Modern Art p. 499 / Alex Potts

Part VII Criticism, Displays, and Markets p. 517

30 Degenerate Art: Impressionism and the Specter of Crisis in French Painting p. 519 / Neil McWilliam

31 Impressionism through the Prism of New Methods: A Social and Cartographic Study of Monet's Address Book p. 533 / Félicie Faizand de Maupeou

32 Against the Grain: Gustave Caillebotte and Paul Durand-Ruel's Impressionism p. 547 / Mary Morton

33 Are Museum Curators "Very Special Clients?" Impressionism, the Art Market, and Museums (Paul Durand-Ruel and the Musée du Luxembourg at the Turn of the Twentieth Century) p. 566 / Sylvie Patry

34 The Museum of Impressionism, 1947 p. 583 / Martha Ward.

Notes:

Includes bibliographical references and index.

Electronic reproduction. Ann Arbor, MI Available via World Wide Web.

Description based on print version record.

Local Notes:

Acquired for the Penn Libraries with assistance from the Kowell Family Art History Fund.

ISBN:

9781119373872

1119373875

Publisher Number:

99988644265

Access Restriction:

Restricted for use by site license.