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Wang Bing's filmmaking of the China dream : narratives, witnesses and marginal spaces / Elena Pollacchi.

LIBRA PN1998.3.W335 P65 2021
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Format:
Book
Author/Creator:
Pollacchi, Elena, author.
Series:
Critical Asian cinemas
Critical Asian Cinemas
Language:
English
Subjects (All):
Wang, Bing, 1967---Criticism and interpretation.
Wang, Bing.
Wang, Bing, 1967-.
Criticism and interpretation.
China--In motion pictures.
China.
Genre:
Criticism, interpretation, etc.
Physical Description:
241 pages : illustrations ; 25 cm.
Place of Publication:
Amsterdam : Amsterdam University Press, [2021]
Summary:
This volume offers an organic discussion of Wang Bing's filmmaking across China's marginal spaces and against the backdrop of the state-sanctioned 'China Dream'. Wang's work has contemporary China as its focus and testifies to the country's contradictions, not dissimilar to those of contemporary societies dealing with issues of inequality, labour, and migration. Without being an activist, Wang Bing gives voice to the subaltern. His internationally awarded documentaries are recognized as world masterpieces. His unique aesthetics bears references to film masters, therefore this investigation goes beyond the divide between Western and non-Western film traditions. Each chapter takes a different articulation of space (spaces of labour, spaces of history, spaces of memory) as its entry point bringing together film and documentary studies, Chinese studies, and studies in globalization issues. This volume benefits from the author's extensive conversation with Wang Bing and from insider's observations of film production and the film festival circuit.
Contents:
Machine generated contents note: The relevance of Wang Bing's filmmaking
Themes, form, and narrative structure: A linked approach to Wang Bing's filmmaking
Wang Bing a la Wong Kar-wai
The book's genesis and structure
1. Wang Bing's Cinematic Journey: A Counter-Narrative of the China Dream
The centrality of space in Wang Bing's narrativized reality
Chinese marginal spaces and uneven development
Wang Bing's counter-journey of the China Dream
Spaces in Wang Bing's oeuvre: An overview of the films and the issues at stake
2. History in the Making: The Debut Epic Tiexi qu: West of the Tracks
The debut epic Tiexi qu: West of the Tracks and its context
Tiexi qu: West of the Tracks as a contemporary cinematic reportage
Filming `history in the making' and the legacy of the Lumiere films
Towards an epic of labour: From Terrence Malick's Days of Heaven to Tiexi qu: West of the Tracks
3. Spaces of Labour: Three Sisters, 'Til Madness Do Us Part, Bitter Money
Filming spaces of labour and cinema as labour
The transition from the industrial space of the Tiexi district to rural and marginal spaces
Three Sisters: An epic of survival reminiscent of John Ford's The Grapes of Wrath
Duration in Wang Bing's cinema: The case of Three Sisters and Alone
No Way Out: From Three Sisters to 'Til Madness Do Us Part
`Til Madness Do Us Part: The camera work between `madness' and `love'
Reaching the new centres of labour: From Tiexi qu: West of the Tracks to Bitter Money
Earning money in hardship: Bitter Money
4. Spaces of History and Memory: The Works on the Anti-Rightist Campaign
pt. I A Space Too Much: The Ditch
The genesis of The Ditch (2003
2010)
The Ditch: Carving out a space for documenting the past
Historical spectacles: Wang Bing's The Ditch and Pier Paolo Pasolini's Said
Ghosts of the past: Wang Bing's The Ditch and Brutality Factory and Pedro Costa's Colossal Youth
pt. II Spaces of Memory: Dead Souls
From Fengming, A Chinese Memoir to Dead Souls
The genesis of Dead Souls
Spaces for survival: Archiving audiovisual witnesses
The act of filming and spaces of death
Wang Bing's Dead Souls and Claude Lanzmann's Shoah
5. Collective Spaces
Individual Narratives
Man With No Name: Individual spaces of self-isolation
Father and Sons: Individual spaces and deteriorating family structures
Mi Niang and Ta'ang: Spaces of refuge and escape
Mrs Fang: Individual spaces of death
Beauty Lives in Freedom: Individual spaces of exile
6. Concluding Remarks: Spaces of Exhibition and Spaces of Human Practice.
Notes:
Includes bibliographical references and index.
ISBN:
9789463721837
9463721835
OCLC:
1255856711

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