2 options
The 1619 Project : a new origin story / edited by Nikole Hannah-Jones, Caitlin Roper, Ilena Silverman, and Jake Silverstein.
Athenaeum of Philadelphia - Circulating Collection E441 .A15 2021
Available
- Format:
- Book
- Language:
- English
- Subjects (All):
- Slavery--Political aspects--United States--History.
- Slavery.
- African Americans--History.
- African Americans.
- History.
- Slavery--Political aspects.
- United States--Race relations.
- United States.
- Race relations.
- United States--Civilization.
- Civilization.
- 1619 Project.
- Genre:
- History.
- Physical Description:
- xxxiii, 590 pages : illustrations, portraits ; 24 cm
- Edition:
- First edition.
- Other Title:
- Sixteen hundred nineteen Project
- Place of Publication:
- New York : One World, [2021]
- Summary:
- "The animating idea of The 1619 Project is that our national narrative is more accurately told if we begin not on July 4, 1776, but in late August of 1619, when a ship arrived in Jamestown bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival inaugurated a barbaric and unprecedented system of chattel slavery that would last for the next 250 years. This is sometimes referred to as the country's original sin, but it is more than that: It is the country's very origin. The 1619 Project tells this new origin story, placing the consequences of slavery and the contributions of Black Americans at the center of the story we tell ourselves about who we are as a country. Orchestrated by the editors of The New York Times Magazine, led by MacArthur "genius" and Pulitzer Prize-winning journalist Nikole Hannah-Jones, this collection of essays and historical vignettes includes some of the most outstanding journalists, thinkers, and scholars of American history and culture--including Linda Villarosa, Jamelle Bouie, Jeneen Interlandi, Matthew Desmond, Wesley Morris, and Bryan Stevenson. Together, their work shows how the tendrils of 1619--of slavery and resistance to slavery--reach into every part of our contemporary culture, from voting, housing and healthcare, to the way we sing and dance, the way we tell stories, and the way we worship. Interstitial works of flash fiction and poetry bring the history to life through the imaginative interpretations of some of our greatest writers. The 1619 Project ultimately sends a very strong message: We must have a clear vision of this history if we are to understand our present dilemmas. Only by reckoning with this difficult history and trying as hard as we can to understand its powerful influence on our present, can we prepare ourselves for a more just future"-- Provided by publisher.
- Contents:
- Machine generated contents note: 1619 The White Lion / Claudia Rankine
- ch. 1 Democracy / Nikole Hannah-Jones
- 1662 Daughters of Azimuth / Nikky Finney
- 1682 Loving Me / Vievee Francis
- ch. 2 Race / Dorothy Roberts
- 1731 Conjured / Honoree Fanonne Jeffers
- 1740 A Ghazalled Sentence After "My People Hold On" by Eddie Kendricks and the Negro Act of 1740 / Terrance Hayes
- ch. 3 Sugar / Khalil Gibran Muhammad
- 1770 First to Rise / Yusef Komunyakaa
- 1773 proof [dear Phillis] / Eve L. Ewing
- ch. 4 Fear / Michelle Alexander
- 1775 Freedom Is Not for Myself Alone / Robert Jones Jr.
- 1791 Other Persons / Reginald Dwayne Betts
- ch. 5 Dispossession / Tiya Miles
- 1800 Trouble the Water / Barry Jenkins
- 1808 Sold South / Jesmyn Ward
- ch. 6 Capitalism / Matthew Desmond
- 1816 Fort Mose / Tyehimba Jess
- 1822 Before His Execution / Tim Seibles
- ch. 7 Politics / Jamelle Bouie
- 1830 We as People / Cornelius Eady
- 1850 A Letter to Harriet Hay den / Lynn Nottage
- ch. 8 Citizenship / Martha S. Jones
- 1863 The Camp / Darryl Pinckney
- 1866 An Absolute Massacre / Zz Packer
- ch. 9 Self-Defense / Carol Anderson
- 1870 Like to the Rushing of a Mighty Wind / Tracy K. Smith
- 1883 no car for colored [+] ladies (or, miss wells goes off [on] the rails) / Evie Shockley
- ch. 10 Punishment / Bryan Stevenson
- 1898 Race Riot / Forrest Hamer
- 1921 Greenwood / Jasmine Mans
- ch. 11 Inheritance / Trymaine Lee
- 1925 The New Negro / A. Van Jordan
- 1932 Bad Blood / Yaa Gyasi
- ch. 12 Medicine / Linda Villarosa
- 1955 1955 / Danez Smith
- 1960 From Behind the Counter / Terry Mcmillan
- ch. 13 Church / Anthea Butler
- 1963 Youth Sunday / Rita Dove
- 1963 On "Brevity" / Camille T. Dungy
- ch. 14 Music / Wesley Morris
- 1965 Quotidian / Natasha Trethewey
- 1966 The Panther Is a Virtual Animal / Joshua Bennett
- ch. 15 Healthcare / Jeneen Interlandi
- 1972 Unbought, Unbossed, Unbothered / Nafissa Thompson-Spires
- 1974 Crazy When You Smile / Patricia Smith
- ch. 16 Traffic / Kevin M. Kruse
- 1984 Rainbows Aren't Real, Are They? / Kiese Laymon
- 1985 A Surname to Honor Their Mother / Gregory Pardlo
- ch. 17 PrOgreSS / Ibram X. Kendi
- 2005 At the Superdome After the Storm Has Passed / Clint Smith
- 2008 Mother and Son / Jason Reynolds
- ch. 18 Justice / Nikole Hannah-Jones
- 2020 Progress Report / Sonia Sanchez.
- Notes:
- "Created by Nikole Hannah-Jones, winner of the Pulitzer Prize, & The New York Times magazine"--Book jacket.
- Includes bibliographical references (pages 495-550) and index.
- National Association for the Advancement of Colored People Image Awards Outstanding Literary Work - Nonfiction, Winner, 2022
- Local Notes:
- Athenaeum copy: Kennedy fund bookplate.
- Other Format:
- Online version: 1619 Project
- ISBN:
- 9780593230572
- 0593230574
- OCLC:
- 1250435664
The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.