Experimentos de politizacion : la vanguardia y el devenir del populismo en argentina, uruguay y brasil = Experiments of politicization : the avant-garde and the rise of populism in Argentina, Uruguay, and Brazil / Maria Pape.

Format:

Book

Thesis/Dissertation

Author/Creator:

Pape, Maria, author.

Contributor:

De la Campa, Román, degree supervisor.

University of Pennsylvania. Department of Comparative Literature and Literary Theory, degree granting institution.

Language:

English

Subjects (All):

Latin American studies.

Latin American literature.

Comparative literature.

Comparative Literature and Literary Theory--Penn dissertations.

Penn dissertations--Comparative Literature and Literary Theory.

Local Subjects:

Latin American studies.

Latin American literature.

Comparative literature.

Comparative Literature and Literary Theory--Penn dissertations.

Penn dissertations--Comparative Literature and Literary Theory.

Genre:

Academic theses.

Physical Description:

1 online resource (296 pages)

Contained In:

Dissertations Abstracts International 82-12A.

Other Title:

Experiments of politicization : the avant-garde and the rise of populism in Argentina, Uruguay, and Brazil

Place of Publication:

[Philadelphia, Pennsylvania] : University of Pennsylvania ; Ann Arbor : ProQuest Dissertations & Theses, 2021.

Language Note:

Spanish

System Details:

Mode of access: World Wide Web.

text file

Summary:

Experiments of Politicization. The Avant-Garde and the Rise of Populism in Argentina, Uruguay, and Brazil explores the relationship between the Latin American avant-gardes and the rise of Latin American populism. In the beginning of the 20th century, elitist democracies gave way to mass democracies, creating new political subjectivities. I examine how these new subjectivities led to the rise of the first populisms in Argentina and Brazil as well as the absence of populism in Uruguay. First, I analyze how society was presented in official political discourse and, then, how avant-garde literature and theater intervened in this. I argue that official political discourse only gives us a partial understanding of the rise of populism and that the avant-gardes offer important counternarratives and new comprehensions. Moreover, I contend that the populist dynamics arose gradually in the cultural sphere and this long before full-blown populist governments, meaning they were the conditions of possibility for the governments rather than the result of them. I base this analysis primarily on studies of Roberto Arlt's theater, Felisberto Hernandez's early short stories, and Patricia Galvao's first novel, read in dialogue with the period's literature, theater, cinema, and visual art. By studying these three artists together, the dissertation intervenes in the study of the Latin American historical avant-gardes that, according to a traditionally reading, were characterized by an interest in their own global positioning, playing out as a tension between nationalist and cosmopolitan impulses. I argue that Arlt, Hernandez, and Galvao, together with similar artists, constitute a margin of the experimental avant-garde that left the question of national/cosmopolitan identity aside. Instead, they intervened in the official political discourse that championed national unity by examining and exposing Argentina, Uruguay, and Brazil's sociopolitical conflicts.

Notes:

Source: Dissertations Abstracts International, Volume: 82-12, Section: A.

Advisors: de la Campa, Roman; Committee members: Bruno Carvalho; Ashley Brock; Jorge Tellez.

Department: Comparative Literature and Literary Theory.

Ph.D. University of Pennsylvania 2021.

Local Notes:

School code: 0175

ISBN:

9798738642609

Access Restriction:

Restricted for use by site license.

This item is not available from ProQuest Dissertations & Theses.

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