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Resetting the Stage Public Theatre Between the Market and Democracy / Dragon Klaic.
- Format:
- Book
- Author/Creator:
- Klaic, Dragon, author.
- Language:
- English
- Subjects (All):
- Performing arts.
- Genre:
- Electronic books.
- Physical Description:
- 1 online resource (209 pages)
- Other Title:
- Knowledge Unlatched.
- Place of Publication:
- Bristol : Intellect, 2012.
- System Details:
- text file
- Summary:
- Commercial theatre is thriving across Europe and the UK, while public theatre has suffered under changing patterns of cultural consumptionâ€"as well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theatre to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly crowded market of cultural goods, public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic distinctiveness and the considerable benefit this confers on the public.
- Contents:
- Part I A Blurred Role 01
- Chapter 1 Public and Commercial Theatre: Distinct and Enmeshed 03
- The ensemble model 06
- Public subsidies ensure cultural respectability 07
- Crisis - a permanent condition or a discursive image? 09
- A thriving commercial theatre 10
- The specific merits of public theatre 14
- Chapter 2 Public Theatre: Challenges and Responses 19
- Rising costs, limited compensation 21
- Increasing own income 23
- A minority leisure option 26
- Altered urban demography 29
- Insufficient coping solutions 31
- Chapter 3 Production Models: Reps, Groups and Production Houses 35
- Repertory theatre: Limitations and adjustments 37
- Repertory companies outlive communism 40
- Groups: An ethos of innovation 44
- Transformation dynamics 48
- Chapter 4 The Specific Offer of Public Theatre 55
- Making sense of classical drama 57
- Stimulating new playwriting 59
- Post-dramatic theatre 62
- Opera and music theatre: Confronting elitism 63
- Varieties of dance 68
- Theatre for children and young people 74
- Other theatre forms 78
- Part II Asserting Own Distinction 81
- Chapter 5 Programming Strategies 83
- A disorienting abundance 86
- Prompting name recognition 87
- Programming in larger templates 89
- Chapter 6 A Sense of Place 97
- Failed reforms, some accomplishments 99
- A matter of context 101
- Space markers 104
- Big or small? 107
- Newly built or recycled? 109
- Away from the theatre 113
- Chapter 7 Finding the Audience, Making the Audience 119
- Audiences: Limited, elusive and unstable 121
- Commitment to education 123
- Outreach strategies 126
- Communication: Creating own media outlets 131
- Chapter 8 Theatre in a Globalised World 135
- The changing role of festivals 137
- International cooperation in the performing arts 140
- An emerging European cultural space 143
- Trans-European vistas 147
- An antidote to complacency 151
- Chapter 9 Leadership, Governance and Cultural Policy 155
- Leadership: Fantasies of a cultural Superman 159
- Governance matters: Boards safeguarding autonomy 162
- Minima moralia for a public theatre system 165
- Funding: Decision-makers and their criteria 167
- Public theatre and public culture 170.
- Notes:
- Description based on print version record.
- Local Notes:
- KU Select 2017: Backlist Collection
- BiblioBoard internal publisher id: 101235
- ISBN:
- 9781841505473
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