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Resetting the Stage Public Theatre Between the Market and Democracy / Dragon Klaic.

Knowledge Unlatched ebooks 2017 Available online

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Format:
Book
Author/Creator:
Klaic, Dragon, author.
Language:
English
Subjects (All):
Performing arts.
Genre:
Electronic books.
Physical Description:
1 online resource (209 pages)
Other Title:
Knowledge Unlatched.
Place of Publication:
Bristol : Intellect, 2012.
System Details:
text file
Summary:
Commercial theatre is thriving across Europe and the UK, while public theatre has suffered under changing patterns of cultural consumptionâ€"as well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theatre to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly crowded market of cultural goods, public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic distinctiveness and the considerable benefit this confers on the public.
Contents:
Part I A Blurred Role 01
Chapter 1 Public and Commercial Theatre: Distinct and Enmeshed 03
The ensemble model 06
Public subsidies ensure cultural respectability 07
Crisis - a permanent condition or a discursive image? 09
A thriving commercial theatre 10
The specific merits of public theatre 14
Chapter 2 Public Theatre: Challenges and Responses 19
Rising costs, limited compensation 21
Increasing own income 23
A minority leisure option 26
Altered urban demography 29
Insufficient coping solutions 31
Chapter 3 Production Models: Reps, Groups and Production Houses 35
Repertory theatre: Limitations and adjustments 37
Repertory companies outlive communism 40
Groups: An ethos of innovation 44
Transformation dynamics 48
Chapter 4 The Specific Offer of Public Theatre 55
Making sense of classical drama 57
Stimulating new playwriting 59
Post-dramatic theatre 62
Opera and music theatre: Confronting elitism 63
Varieties of dance 68
Theatre for children and young people 74
Other theatre forms 78
Part II Asserting Own Distinction 81
Chapter 5 Programming Strategies 83
A disorienting abundance 86
Prompting name recognition 87
Programming in larger templates 89
Chapter 6 A Sense of Place 97
Failed reforms, some accomplishments 99
A matter of context 101
Space markers 104
Big or small? 107
Newly built or recycled? 109
Away from the theatre 113
Chapter 7 Finding the Audience, Making the Audience 119
Audiences: Limited, elusive and unstable 121
Commitment to education 123
Outreach strategies 126
Communication: Creating own media outlets 131
Chapter 8 Theatre in a Globalised World 135
The changing role of festivals 137
International cooperation in the performing arts 140
An emerging European cultural space 143
Trans-European vistas 147
An antidote to complacency 151
Chapter 9 Leadership, Governance and Cultural Policy 155
Leadership: Fantasies of a cultural Superman 159
Governance matters: Boards safeguarding autonomy 162
Minima moralia for a public theatre system 165
Funding: Decision-makers and their criteria 167
Public theatre and public culture 170.
Notes:
Description based on print version record.
Local Notes:
KU Select 2017: Backlist Collection
BiblioBoard internal publisher id: 101235
ISBN:
9781841505473

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