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Transcultural Images in Hollywood Cinema Debates on Migration, Identity, and Finance.
- Format:
- Book
- Author/Creator:
- Balo u, U r.
- Series:
- Communication, globalization, and cultural identity
- Communication, Globalization, and Cultural Identity
- Language:
- English
- Subjects (All):
- Motion pictures--United States--History--21st century.
- Motion pictures.
- Cultural fusion in popular culture.
- Multiculturalism in motion pictures.
- History.
- United States.
- Physical Description:
- 1 online resource (165 pages).
- polychrome
- Place of Publication:
- Lanham : Lexington Books, 2021.
- System Details:
- text file
- Contents:
- Cover
- Half Title
- Series Page
- Title Page
- Copyright Page
- Contents
- Introduction
- Part I: Transnational Finance and Their Reflections
- Chapter 1: Globalizing Legendary Entertainment: Transnational Finance Meets Transculturality
- Transnational Capital, Transcultural Content
- Legendary: From Investment Firm to Chinese Subsidiary
- The Great Wall
- Pacific Rim: Uprising (2018)
- Conclusion
- Notes
- Bibliography
- Chapter 2: New Heroes in Transnational Hollywood: An Attempt to Transculturality in Marvel Cinematic Universe
- Is colonial understanding Over? Did It Change Its Form?
- Global Cultural Flow and New Representation Strategies
- Superheroes in the New (Transcultural) Cinematic Universe
- Part II: The Representation of Others beyond the Borders
- Chapter 3: Strangers at Our Door: A Baumanian Perspective to Children of Men , Elysium , and Snowpiercer
- Refugee as "Homo Sacer" and "Human as Waste" in Giorgio Agamben and Zygmunt Bauman
- Children of Men: White Man Saves Human as Waste
- Elysium: Human as Waste Transforms into a Savior
- Snowpiercer: Human as Waste Understands Being Deceived
- Chapter 4: A Universe of Story and Medium: Transforming Narrative, Representation, and Ideology in Star Wars Films and Digital Games
- Star Wars Transmedia Storytelling: A Postmodern Universe
- The Hero's Journey, the Monomyth and the Representation of Main Archetypes in Star Wars
- Digital Transculturalism, Withering Narratives, Nostalgy, and the Story as Capital in Star Wars: Battlefront II
- Note
- Bibliography
- Part III: Immigrant Directors and Migration as a Counter-Geography Practice
- Chapter 5: Boundary-Crossing and Genre-Bending in the Films of Guillermo del Toro
- Transnational Screens and Hollywood Cinema
- Living/Dead
- Familiar/Strange
- Conclusion: An Ethics of Crossing
- Chapter 6: Medea and Lars von Trier's Medea: "Ressentıment," Myths, and Gender
- Before Medea
- Medea
- After Medea
- Chapter 7: Transnational Images in Iñárritu Cinema
- Introduction
- The Culture Industry Reconstructed by Neoliberalism
- Mexican Representation in Hollywood Cinema from Yesterday to Today: Or Are Mexicans Discovering Hollywood Aesthetics?
- Cinematographic Traces of Transnational Codes: El Hollywood Cinema
- Index
- About the Authors
- Notes:
- Description based upon print version of record.
- Electronic reproduction. Ann Arbor, MI Available via World Wide Web.
- Other Format:
- Print version: Balo Transcultural Images in Hollywood Cinema
- ISBN:
- 1793648980
- 9781793648983
- Publisher Number:
- 40030640893
- Access Restriction:
- Restricted for use by site license.
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