Perspectives on contemporary printmaking critical writing since 1986 / editor, Ruth Pelzer-Montada.

Format:

Book

Contributor:

Pelzer-Montada, Ruth.

Language:

English

Subjects (All):

Prints.

Printmakers.

Prints--Technique.

Physical Description:

1 online resource (xx, 347 pages) : illustrations

Edition:

1st ed.

Place of Publication:

Manchester : Manchester University Press, [2020]

Summary:

"This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research."--Publisher's description

Contents:

Part IV: The field

Edinburgh Printmakers and the notion of the workshop (2007) / Daniel F. Herrmann

Projects and portfolios: narrative and structure (1995) / Jeremy Lewison

Lasting impressions? A museum perspective on digital fine art printmaking (2009) / Gill Saunders

Print and the public sphere (2011) / Sheryl Conkelton

The work event: art in the distributed field and systems of production (2013) / Johanna Drucker

All the instruments agree (2010) / Eric Triantafillou

Stamping (molding) marks: the San Juan Triennial tracking the new century (2004) / Mari Carmen Ramírez

Chinese printmaking in the twenty-first century: new horizons and energies (2011) / Shang Hui

What is 'studio' in the post-disciplinary age? (2011) / Matthew Perkins

Making a place: art and a multi-modal, multi-disciplinary approach (2014) / Amanda Thomson

Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014) / R. L. Tillman.

Part III: Keywords

Coordinates of a history of the technical image 2003) / Ernst Rebel

The status of the reproduction (1988) / Susan Lambert

Benjamin's blindspot: aura and reproduction in the post-print age (2015) / Clare Humphries

Are all multiples the same? The problematic nature of the limited edition (2015) / K. E. Gover

Printing plates and pixel matrix: the mechanisation of memory (2010) / Frieder Nake

Opening up an anachronistic point of view (1997) / Georges Didi-Huberman

Untying the knot: memory and forgetting in contemporary print work (2013) / Deidre Brollo

Spirit duplication (2010) / Yara Flores

Three ways to use yellow (2014) / Catherine Brooks

On the manual (in the manual)

Part II: Debates

The syntax of the print: in search of an aesthetic context (1986) / Ruth Weisberg

Sentences on printed art (1994) / Richard S. Field

The re-vision of printmaking(1999) / Kathryn Reeves

The shape of graphic art (2010) / Andrzrej Bednarczyk

The graphic unconscious or the how and why of a print triennial (2011) / Jose Roca

Print as other: the future is queer (2013) / Richard Harding

The what and the why of print (2016) / Barbara Balfour

Part I: Genealogy

Fragments for an art history of media: electr(on)ic thinking (1997) / Beat Wyss

The technical gaze: the parallel world of photography (2003) / Ernst Rebel

Post-print culture? (2013) / Frances Robertson

Part II: Debates

Part III: Keywords

Part IV: The field.

Notes:

Includes bibliographical references and index.

Originally published in print: 2018.

Description based on print version record.

ISBN:

9781526125767

1526125765

OCLC:

1232850695