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Renaissance Posthumanism / Scott Maisano, Joseph Campana.

De Gruyter Fordham University Press Complete eBook-Package 2016 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Ebook Central Academic Complete Available online

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Format:
Book
Contributor:
Campana, Joseph, Editor.
Maisano, Scott, Editor.
Language:
English
Subjects (All):
Humanism.
Renaissance.
Humanities.
Post-postmodernism.
Physical Description:
1 online resource (344 p.)
Edition:
First edition.
Place of Publication:
New York, NY : Fordham University Press, [2016]
Language Note:
In English.
Summary:
Connecting Renaissance humanism to the variety of “critical posthumanisms” in twenty-first-century literary and cultural theory, Renaissance Posthumanism reconsiders traditional languages of humanism and the human, not by nostalgically enshrining or triumphantly superseding humanisms past but rather by revisiting and interrogating them. What if today’s “critical posthumanisms,” even as they distance themselves from the iconic representations of the Renaissance, are in fact moving ever closer to ideas in works from the fourteenth to the seventeenth century? What if “the human” is at once embedded and embodied in, evolving with, and de-centered amid a weird tangle of animals, environments, and vital materiality? Seeking those patterns of thought and practice, contributors to this collection focus on moments wherein Renaissance humanism looks retrospectively like an uncanny “contemporary”—and ally—of twenty-first-century critical posthumanism.
Contents:
Front matter
Contents
Introduction: Renaissance Posthumanism
ONE. What Posthumanism Isn’t: On Humanism and Human Exceptionalism in the Renaissance
Two. Titian’s Flaying of Marsyas: Thresholds of the Human and the Limits of Painting
Three. Rabelais’s Silenic Regime: The Fundamentals of Gargantua
Four. A Natural History of Ravishment
Five. Farmyard Choreographies in Early Modern England
Six. Oves et Singulatim: A Multispecies Impression
Seven. Wooden Actors on the En glishe nais sance Stage
Eight. Beyond Human: Visualizing the Sexuality of Abraham Bosse’s Mandrake
Nine. Shakespeare’s Mineral Emotions
Epilogue: H Is for Humanism
Acknowledgments
Contributors
Index
Notes:
Includes index.
Includes bibliographical references and index.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
ISBN:
0-8232-6956-6
0-8232-6970-1
0-8232-6959-0
0-8232-6958-2
OCLC:
939532703

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