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Phantom Limbs : On Musical Bodies / Peter Szendy.

De Gruyter Fordham University Press Complete eBook-Package 2014-2015 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Ebook Central Academic Complete Available online

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Format:
Book
Author/Creator:
Szendy, Peter, Author.
Contributor:
Bishop, Will
Standardized Title:
Membres fantômes. English
Language:
English
French
Subjects (All):
Human body in music.
Music--Philosophy and aesthetics.
Music.
Physical Description:
1 online resource (207 p.)
Edition:
First edition.
Place of Publication:
New York, NY : Fordham University Press, [2015]
Language Note:
In English.
Summary:
The prostheses Peter Szendy explores—those peculiar artifacts known as musical instruments—are not only technical devices but also bodies that live a strange phantom life, as uncanny as a sixth finger or a third lung. The musicological impulse to inventory those bodies that produce sound is called into question here. In Szendy’s hands, its respectable corpus of scholarship is read aslant, so as to tease out what it usually prefers to hide: hybrids and grafts produced by active fictions, monsters, and chimera awaiting the opportunity to be embodied. Beyond these singular bodies that music composes and disposes there lies the figure of a collective “social” body ready to emerge amid an innervated apparatus that operates at a distance, telepathically. Phantom Limbs touches on bodies of all shapes and sizes that haunt the edges of music’s conceptualizations. Music continually reinvents such bodies and reconvenes them in new collective formations. It is their dynamics and crystallizations that Szendy auscultates on a motley corpus that includes Bach, Diderot, Berlioz, Eisenstein, Disney, and Monk.
Contents:
Front matter
CONTENTS
Training
Chapter 1 Interpreting Bodies
Chapter 2 Effictions
Chapter 3 Organologics (1): The Erasure of Bodies
Chapter 4 Touch-ups, or The Return of Bodies
Chapter 5 Idiotisms, or The Dialect of Bodies
Chapter 6 Monk, a Legend
Chapter 7 Traces of Fingers
Chapter 8 Digital Rhetoric
Chapter 9 Ablations and Grafts (Too Many Fingers)
Chapter 10 Romantic Fingers (System of Touch)
Chapter 11 Feet
Chapter 12 Joyful Tropiques (Evolution, Revolutions)
Chapter 13 Two Dispatches (One Fictive and the Other Dreamed Up)
Chapter 14 Organologics (2): Autophony
Chapter 15 Genesis (1): Ocular Harpsichord, Organ of Flavors
Chapter 16 Telepathy
Chapter 17 Scruples (Clones and Stand-ins)
Chapter 18 Conducting (Seen from the Back)
Chapter 19 Genesis (2): Fantasia, or “Plasmaticity”
Chapter 20 Touching from Afar
Chapter 21 Organologics (3): Areality
Chapter 22 Bodies Electric
Chapter 23 Mass Formations
P.S.
Notes
Notes:
Description based upon print version of record.
Includes bibliographical references.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
ISBN:
0-8232-6709-1
0-8232-7230-3
0-8232-6708-3
OCLC:
922451535

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