My Account Log in

4 options

Portrait / Jean-Luc Nancy.

De Gruyter Fordham University Press Complete eBook-Package 2018 Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online

EBSCOhost eBook Community College Collection Available online

View online

Ebook Central Academic Complete Available online

View online
Format:
Book
Author/Creator:
Nancy, Jean-Luc, Author.
Contributor:
Clift, Sarah
Librett, Jeffrey S.
Sparks, Simon
Series:
Lit Z
Language:
English
French
Subjects (All):
Portraits--Philosophy.
Portraits.
Physical Description:
1 online resource
Edition:
First edition.
Place of Publication:
New York, NY : Fordham University Press, [2018]
Language Note:
In English.
Summary:
This book examines the practice of portraits as a way in to grasping the paradoxes of subjectivity. To Nancy, the portrait is suspended between likeness and strangeness, identity and distance, representation and presentation, exactitude and forcefulness. It can identify an individual, but it can also express the dynamics by means of which its subject advances and withdraws. The book consists of two extended essays written a decade apart but in close conversation, in which Nancy considers the range of aspirations articulated by the portrait. Heavily illustrated, it includes a newly written preface bringing the two essays together and a substantial Introduction by Jeffrey Librett, which places Nancy’s work within the range of thinking of aesthetics and the subject, from religion, to aesthetics, to psychoanalysis. Though undergirded by a powerful grasp of the philosophical and psychoanalytic tradition that has rendered our sense of the subject so problematic, Nancy’s book is at heart a delightful, unpretentious reading of three dozen portraits, from ancient drinking mugs to recent experimental or parodic pieces in which the artistic representation of a sitter is made from their blood, germ cultures, or DNA. The contemporary world of ubiquitous photos, Nancy argues, in no way makes the portrait a thing of the past. On the contrary, the forms of appearing that mark the portrait continue to challenge how we see the bodies and representations that dominate our world.
Contents:
Front matter
Contents
Preface to the English-Language Edition
Introduction. The Subject of the Portrait
The Autonomous Portrait
Resemblance
Recall
Look
L’altro ritratto
Character
The Eye
Visageity
Mimesis
Withdrawn Presence
Ipseity
Theophany
Revelation
Divine Abandonment
Dis-figuration
Eclipse
Infinite Detachment
Coda I
Coda II
Coda III
Notes
Figures
Notes:
Translated from the French.
This edition previously issued in print: 2018.
Includes bibliographical references.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
ISBN:
9780823281466
0823281469
9780823279968
0823279960
9780823279975
0823279979
OCLC:
1038009686

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account