Mapping the rockumentary : images of sound and fury / edited by Gunnar Iversen and Scott MacKenzie.

Format:

Book

Contributor:

Iversen, Gunnar, editor.

MacKenzie, Scott, editor.

JSTOR (Online Service)

Series:

Traditions in world cinema

Traditions in World Cinema

Language:

English

Subjects (All):

Rock concert films--History and criticism.

Rock concert films.

Documentary films--History and criticism.

Documentary films.

Documentary television programs--History and criticism.

Documentary television programs.

Rock musicians in motion pictures.

Rock music on television.

Physical Description:

1 online resource.

polychrome

Place of Publication:

Edinburgh : Edinburgh University Press, [2021]

System Details:

text file

Contents:

Part I Histories

1 Music Makers of the Blue Ridge (aka 'Bluegrass Roots,' David Hoffman, USA, 1966) p. 21 / Greil Marcus

2 "I Don't Make Culture, I Sell It!": The Early History of Music Documentation, 1920s-1970s p. 24 / Laura Niebling

3 Monterey Pop and the Maturation of the Concert Film p. 37 / Laurel Westrup

4 The Sound of Rockumentary: A Consideration of the Documentary Soundtrack p. 50 / Michael Brendan Baker

5 False Endings p. 64 / Scott MacKenzie

Part II Gender

6 "Start Me Up": The Place and Displacement of Women in the Cinema of The Rolling Stones p. 85 / Catherine Strong and Stephen Gaunson

7 Madonna on Film: Geopolitics, Globalization, and Gender Politics p. 97 / Anna Westerstahl Stenport

8 The Freedom to Speak: The Dixie Chicks, Observational Documentary, and Shut Op & Sing p. 113 / Heather McIntosh

9 Rock 'n' Roll Family Romances: The Rockumentary as Male Melodrama p. 125 / Gunnar Iversen

10 Performing Dylan: The Many Lives of Bob Dylan in I'm Not There p. 140 / Magdalena Fürnkranz

Part III Aesthetics and Politics

11 U2's Rattle and Hum: God, Sex, Rock 'n' Roll and God Again p. 157 / Karine Bertrand

12 Punk City Symphony: The Clash and Rude Boy p. 173 / Celine Bell

13 Listening from the Empty Booth: Performing the Grateful Dead Community in Long Strange Trip p. 185 / Randolph Jordan

14 Minimum and Maximum Rock 'n' Roll: Nick Cave and the Bad Seeds and Rockumentary Form p. 198 / Anthony Kinik

15 "Everything Was Stories": The Aesthetic Imaginaries of Searching for the Wrong-Eyed Jesus p. 212 / Asbjorn Gronstad and Oyvind Vågnes

Part IV Counter-Cultures

16 Chile: The Rock of Political Culture and the Hard Place of Cultural Policy p. 225 / Jorge Saavedra Utman and Toby Miller

17 Psychedelia and Rebelliousness in Times of Dictatorship: Argentinian Rockumentaries (1973-1983) p. 239 / Javier Campo and Tomás Crowder-Taraborrelli

18 Harmonium in California: Musically Imagined Communities and the Rockumentary Form p. 250 / Eric Fillion

19 Stations of the Crass: Counter-Culture and the Anarcho-Punk Movement p. 263 / Asbjorn Tiller

20 Cars and Guitars, or, Detroit and the MC5: On Representations of Music and Place in MCS: A True Testimonial p. 276 / Lindsey Eckenroth

Part V Futures

21 Unknowable Dogs p. 291 / Gary Kibbins

22 "This is a F**king Business": The Concert Show and Tour in 1970s Hollywood Fiction Films p. 303 / Julie Lobalzo Wright

23 Live from the Multiplex: The Concert Film as Event Cinema since the 2000s p. 314 / Ian Robinson

24 Documenting Deities: Touch and K-pop Fandom on YouTube p. 330 / Eric Chalfant and Ali Na

25 Ritual in Transfigured Time p. 344 / Greil Marcus.

Notes:

Electronic reproduction. New York Available via World Wide Web.

Description based on online resource; title from digital title page (viewed on May 28, 2021).

Other Format:

Print version:

ISBN:

9781474478045

1474478042

Publisher Number:

40030560944

Access Restriction:

Restricted for use by site license.