Film, cinema, genre : the Steve Neale reader / edited by Frank Krutnik and Richard Maltby.

Format:

Book

Author/Creator:

Neale, Stephen, 1950- author.

Contributor:

Krutnik, Frank, 1956- editor.

Maltby, Richard, 1952- editor.

Series:

Exeter studies in film history

Standardized Title:

Works. Selections

Language:

English

Subjects (All):

Film criticism.

Motion pictures--History.

Motion pictures.

History.

Motion picture industry--History.

Motion picture industry.

Genre:

History.

Physical Description:

ix, 364 pages : illustrations ; 25 cm.

Place of Publication:

Exeter, Devon, UK : University of Exeter Press, 2021.

Contents:

Machine generated contents note: Section A Beginnings

1. The Reappearance of Movie

Review in Screen, 16.3 (1975), 112

15

2. Personal Views

Review in Screen, 17.3 (1976), 118

22

3. The Invention of Cinema

Chapter 3 of Cinema and Technology: Image, Sound, Colour (London: Macmillan, 1985)

Section B Genre(s)

4. Genre

Chapter 3 of Genre (London: British Film Institute, 1980)

5. Questions of Genre

Screen, 31.1 (1990), 45-66

6. Genre and Hollywood

Chapter 7 of Genre and Hollywood (London: Roudedge, 2000)

7. Melodrama and Tears

Screen, 27.6 (1986), 6

23

8. Aspects of Ideology and Narrative Form in the American War Film

Screen, 32.1 (1991), 33

57

Section C Interventions and Provocations

9. Art Cinema as Institution

Screen, 221 (1981), 11

40

10. Masculinity as Spectacle: Reflections on Men and Mainstream Cinema

Screen, 24.6 (1983), 2

17

11. Melo Talk: On the Meaning and Use of the Term `Melodrama' in the American Trade Press

The Velvet Light Trap, 32 (1993), 66

89

12. Hollywood Blockbusters: Historical Dimensions

Movie Blockbusters, ed. by Julian Stringer (London: Routledge, 2003), pp. 47

60

Section D Film Analysis

13. Issues of Difference: Alien and Blade Runner

Fantasy and the Cinema, ed. by James Donald (London: British Film Institute, 1989), pp. 213

14. Narration, Point of View and Patterns in the Soundtrack of Letter from an Unknown Woman

Style and Meaning: Essays in the Detailed Analysis of Film, ed. by John Gibbs and Douglas Pye (Manchester: Manchester University Press, 2005), pp. 99

107

15. Gestures, Movements and Actions in Rio Bravo

Howard Hawks: New Perspectives, ed. by Ian Brookes (London: Palgrave/British Film Institute, 2016), pp. 110

21

16. The Art of the Palpable: Composition and Staging in the Widescreen Films of Anthony Mann

Widescreen Worldwide, ed. by John Bel ton, Sheldon Hall and Stephen Neale (New Barnet: John Libbey, 2010), pp. 91

106

17. T Can't Tell Anymore Whether You're Lying': Double Indemnity, Human Desire and the Narratology of Femmes Fatales

The Femme Fatale: Images, Histories, Contexts, ed. by Helen Hanson and Catherine O'Rawe (Basingstoke: Palgrave Macmillan, 2010), pp. 187

98.

Notes:

Includes bibliographical references and index.

Other Format:

ebook version :

ISBN:

1905816588

9781905816583

OCLC:

1225193155