The Oxford handbook of cinematic listening / edited by Carlo Cenciarelli.

Format:

Book

Contributor:

Cenciarelli, Carlo, editor.

Series:

Oxford handbooks online

Language:

English

Subjects (All):

Motion picture music--History and criticism.

Motion picture music.

Film soundtracks--History and criticism.

Film soundtracks.

Listening.

Physical Description:

1 online resource (776 pages) : illustrations.

Other Title:

Handbook of cinematic listening

Cinematic listening

Place of Publication:

New York : Oxford University Press, 2021.

System Details:

text file

Summary:

Featuring perspectives from musicology, film studies, literary studies, ethnomusicology, sound studies, popular music, sociology, media and communications, and psychology, 'The Oxford Handbook of Cinematic Listening' explores the intersection between the history of listening and the history of the moving image.

Contents:

The Possibilities of Cinematic Listening: An Introduction / Carlo Cenciarelli

Leveraging a Long and Tuneful History: Perspectival Manipulation, Surround Sound, and Dolby Atmos / Meredith C. Ward

Outside of the Frame: Live-Score Film Screenings and the Cinematic Experience / Jeremy Barham

"You Sorta Listen With Your Eyes": How Audiences Talk About Film Music / Martin Barker

Hearing Film Music Topics Outside the Movie Theatre: Listening "Cinematically" to Pastorals / Janet Bourne

Summon the Cinematic? Aural Mediation and Filmic Immersion in the Case of Remote Taipei / Ya-Feng Mon

Making Sense of Noise and Silence in La Captive / Richard Dyer

Music Lovers. Listening in (and through) Composer Biopics / Guido Heldt

"Deeds of Music" in Bourgeois Opera (What the listeners sees ...) / Peter Franklin

Hi-Yo Rossini: Hearing Pre-existing Music as Post-existing Music / Jonathan Godsall

Hearing Hearing? Reflections on the Kubrickian Soundtrack / David Code

Fist to Face: Corporeal Listening and the Cinematic Punch / Lisa Coulthard

Listening-Feeling-Becoming: Cinema Surveillance / Miguel Mera

Sensing Time and Space through the Soundtracks of Interstellar and Arrival / John Richardson, Anna-Elena Pääkkölä, Sanna Qvick

The Erotics of Cinematic Listening / Danijela Kulezic-Wilson

Hearing and Teaching Soundtracks as a Mother and a Daughter: A Personal, Feminist, Pedagogical Approach to Flux / Elsie Walker

The Trailer Ear: Constructions of Loudness in Cinematic Previews / James Daeville

A Movie for Speakers: Queen's Flash Gordon and the Integrated Soundtrack Album / Paul N. Reinsch

Pop Music, Processing Fluency, and Pleasure: Film Songs as Both Hype and Memento / Jeff Smith

Hearing the Shadows at Le Chat Noir's Pre-Cinematic Theatre / Emilio Sala

"If You Know Arabic, Indian Songs Are Easy for You": Hindi Film Songs in Tamale, Northern Ghana / Katie Young

Hearing Secondary Explosions: The Naudet Brothers' 9/11 and Audiovisual (A)synchronization in Twenty-First-Century Media / Randolph Jordan

Listen Again: Music Videos' Cinematic Soundscapes / Laurel Westrup

Evolving Storylines and Patterns of Listening: The Case of Invasion at the Dawn of the Binge Age / Robynn Stilwell

Sonic Elongation and Sonic Aporia: Two Modes of Disrupted Listening in Film / Holly Rogers

iPod Listening as an I-voice: Cinema, Personal Stereos, and a Fantasy of Communication / Carlo Cenciarelli

Fantasias on a Theme by Walt Disney: Playful Listening and Video Games / Timothy Summers

Old(er) Media and New Musical Affordances in Virtual Reality Experiences / Michiel Kamp

Projections of Image on Sound: Reassessing the Relation Between Music Video and Cinema / Mathias Bonde Korsgaard

Countercultural Listening in Malick's Badlands (1973) / Julie Hubbert

The Courtship of Ada and Len: Media Musicals and Vocal Caricature before the Cinema / Jacob Smith

The "Trickality" of Listening in Early Musical Trick Films / Julie Brown

Cinematic Listening and the Early Talkie / James Buhler

Historical Sound-Film Presentation and the Closed-Curtain Roadshow Overture / Ben Winters

"The Atmosphere Was Entirely Good Humoured": The Cinema as a Venue for Live Music in Britain in the 1950s and 1960s / Simon Frith

Tasteful Networks of Attention: Language, Listening, Meaning, and Art House Exhibition / Jocelyn Szczepaniak-Gillece.

Notes:

Also issued in print: 2021.

Includes bibliographical references and index.

Description based on online resource; title from home page (viewed on March 4, 2021).

Other Format:

Print version :

ISBN:

9780190853648

Access Restriction:

Restricted for use by site license.