Cinematic Intermediality : Theory and Practice / edited by Kim Knowles and Marion Schmid.

Format:

Book

Contributor:

Knowles, Kim, 1976- editor.

Schmid, Marion, 1969- editor.

Series:

Edinburgh studies in film and intermediality

Edinburgh Studies in Film and Intermediality

Language:

English

Subjects (All):

Motion pictures and the arts.

Motion pictures--Criticism and interpretation.

Motion pictures.

Intermediality.

Criticism and interpretation.

Physical Description:

xiii, 206 pages : illustrations ; 25 cm.

Place of Publication:

Edinburgh : Edinburgh University Press, [2021]

Summary:

This edited collection proposes new directions for understanding cinematic intermediality, mapping out innovative approaches to film's relationship with some of its most influential artistic predecessors in the fields of performance, sculpture, painting, photography and dance.

Contents:

Part 1 Mapping the Interzone

1 Film and Performance: Intermedial Intersections p. 11 / Stephen Barber

2 Carving Cameras: Antonioni's Lo Sguardo di Michelangelo p. 23 / Steven Jacobs

3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema p. 38 / Ágnes Pethö

4 Dream Screen: On Cinema and Painting, Blur and Absorption p. 52 / Martine Beugnet

Part 2 The Intermedial Avant-gardes

5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970-2015 p. 73 / Christopher Townsend

6 The 'Artist as Filmmaker': Modernisms, Schisms, Misunderstandings p. 88 / Lucy Reynolds

7 The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G p. 105 / Barnaby Dicker

Part 3 Technology, Apparatus, Affect

8 Intermediality and the Origins of Cinema p. 121 / Boris Wiseman

9 Cinematography's Blind Spots: Artistic Exploitations of the Film Frame p. 136 / Gabriele Jutz

10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine and Eugène Green, Le Fils de Joseph p. 150 / Marion schmid

Part 4 Intermedial Creation

11 What Does a Dance Filmmaker See? p. 167 / Adam Roberts

12 Performance, Moving Image, Installation: The Making of Body of War and Faith p. 176 / Isabel Rocamora

13 Muybridge's Disobedient Horses: Non-stop Stop-motion p. 185 / Anna Vasof

14 A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror p. 194 / Sarah Pucill.

Notes:

Includes bibliographical references and index.

Other Format:

Electronic version: Cinematic Intermediality.

ISBN:

1474446345

9781474446341

OCLC:

1182841470