Affects in 21st-century British theatre : exploring feeling on page and stage / Mireia Aragay, Cristina Delgado-García, Martin Middeke, editors.

Format:

Book

Contributor:

Aragay, Mireia, editor.

Delgado-García, Cristina, editor.

Middeke, Martin, 1963- editor.

ProQuest ebook central.

Language:

English

Subjects (All):

Affect (Psychology) in literature.

Affect (Psychology) in the performing arts.

English drama--21st century--History and criticism.

English drama.

Theater--Great Britain--History--21st century.

Theater.

History.

Great Britain.

Physical Description:

1 online resource (xi, 284 pages)

polychrome

Place of Publication:

Cham : Palgrave Macmillan, [2021]

System Details:

text file

Contents:

1. Chapter 1: Introduction: Thinking-Feeling our Way; Mireia Aragay (University of Barcelona), Cristina Delgado-García (University of Glasgow) and Martin Middeke (University of Augsburg)

2. Chapter 2: 'Feel and Think, Think and Feel: Complicating Empathy in debbie tucker green's hang; Mireia Aragay (University of Barcelona)

3. Chapter 3: Moving Parts: Emotion, Intention and Ambivalent Attachments; Clare Wallace (Charles University, Prague)

4. Chapter 4: Love and the Intentionality of Affect in Lucy Prebble's The Effect and debbie tucker green's a profoundly affectionate, passionate devotion to someone (-noun); Korbinian Stöckl (University of Augsburg)

5. Chapter 5: Political Dramaturgies of Affect: Anthony Neilson's God in Ruins and The Wonderful World of Dissocia; Liz Tomlin (University of Glasgow)

6. Chapter 6: Black Lives, Black Words at the Bush Theatre: Art, Anger, Affect and Activism; Lynette Goddard (Royal Holloway, University of London)

7. Chapter 7: 'Feeling Feminism': Politics of Mischief in Contemporary Women's Theatre; Marissia Fragkou (Canterbury Christ Church University)

8. Chapter 8: Contemporary British Theatre, Democracy and Affect: States of Feeling; Cristina Delgado-García (University of Glasgow)

9. Chapter 9: Affect and the Politics of Abstraction in British New Writing; Philip Watkinson (University of Winchester)

10. Chapter 10: Vibrant Materials: Affective Arrangements, the Allure of Glamour and Architexture(s) in Penelope Skinner's Eigengrau and Mike Bartlett's Game; Martin Middeke (University of Augsburg)

11. Chapter 11: Entanglements: Transaction and Intra-Action with the Devil in How to Hold Your Breath; Julia Boll (Konstanz University)

12. Chapter 12: Theatre at the End of the World; Mark Robson (University of Dundee)

13. Chapter 13: Affects and the Development of Political Subjectivity: From Resilience to Agency in Kate Tempest's Wasted; Clara Escoda (University of Barcelona)

.

Notes:

Includes index.

Electronic reproduction. Ann Arbor, MI Available via World Wide Web.

Online resource; title from PDF title page (SpringerLink, viewed April 16, 2021).

Other Format:

Print version :

ISBN:

9783030584863

3030584860

Publisher Number:

99987453435

Access Restriction:

Restricted for use by site license.