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David Driskell : icons of nature and history / edited by Jessica May ; essays and contributions by Julie L. McGee, [and 13 others].

Fine Arts Library N6537.D75 A4 2021
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Format:
Book
Author/Creator:
Driskell, David C., artist, contributor.
Contributor:
May, Jessica, 1977- editor, interviewer.
McGee, Julie L., interviewer.
Dodd, Lois, 1927- interviewee.
Williams, William T. (William Thomas), 1942- interviewee.
Portland Museum of Art, host institution.
Phillips Collection, host institution.
High Museum of Art, host institution.
Language:
English
Subjects (All):
Driskell, David C--Exhibitions.
Driskell, David C.
Williams, William T. (William Thomas), 1942-.
Dodd, Lois, 1927-.
African American artists.
United States.
African American artists--United States--Exhibitions.
African American artists--United States--Biography.
Dodd, Lois, 1927---Interviews.
Dodd, Lois.
Williams, William T. (William Thomas), 1942---Interviews.
Williams, William T.
Genre:
Interviews.
Biographies.
Exhibition catalogs.
Physical Description:
224 pages : illustrations (some color), portraits ; 29 cm
Other Title:
Icons of nature and history
Place of Publication:
New York, NY : Rizzoli Electra, a division of Rizzoli International Publications, Inc. ; Portland, ME : in association with Portland Museum of Art ; Atlanta, GA : High Museum of Art, 2021.
Summary:
David Driskell (1931-2020) was one of the most revered and boundary-breaking American artists, long recognized for his vibrant and versatile painting and printmaking practice, which combined his sharp observation of American landscapes and his interest in the imagery and aesthetic innovations of the African diaspora. Driskell was equally well-known as a curator, art historian, and educator, and his career as both artist and scholar created a durable public record of the long history of art made by African Americans.The exhibition and accompanying catalogue survey seven decades of the artist s painterly practice from the 1950s forward. Driskell's command of color and line is showcased through his beloved subjects, including the natural world, remembrances of the Southern Black experience, and the Black Christian church. The book includes a primary essay by Driskell scholar and curator Julie McGee as well as many other testaments to Driskell by major American artists, art historians, and museum professionals. The catalogue also features a selection of Driskell's most significant writings, introducing the full range of his career to future generations of readers.
Contents:
Directors' prefaces / Rand Suffolk, Mark H. C. Bessire
Lenders and supporters of the exhibition
Acknowledgments / Julie L. McGee, Jessica May, and Michael Rooks
David Driskell: icons of nature and history / Julie L. McGee
The budding modern art scene of Washington, DC, and David Driskell's early years / Renée Maurer
David Driskell at Skowhegan / Sarah Workneh and Katie Sonnenborn
Self-portraiture / Shaun Leonardo
Painting as liturgy / Michael Rooks
David C. Driskell: the Fisk University years / Keith Morrison
Lois Dodd in conversation with Jessica May
William T. Williams in conversation wtih Julie L. McGee
Two centuries: the canon redefined / Thelma Golden
In his own words: David Driskell on the imperative of collecting African American art / Lowery Stokes Sims
David C. Driskell: artist, advocate, and witness / Richard J. Powell
Select writings by David C. Driskell / as chosen by Richard J. Powell
David Driskell chronology / Monet Timmons
Checklist
Bibliography / Monet Timmons
Authors and contributors.
Notes:
Published in conjunction with exhibitions held at High Museum of Art, Atlanta: February 6-May 9, 2021, Portland Museum of Art, Maine: June 19-September 12, 2021, and The Phillips Collection, Washington, DC: October 16, 2021-January 9, 2022.
Exhibit is co-organized by the High Museum of Art, Atlanta, and the Portland Museum of Art, Maine, in collaboration with The Phillips Collection, Washington, DC.
Includes bibliographical references (pages 220-221).
ISBN:
9780847869923
084786992X
0847869431
9780847869435
OCLC:
1205588900

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