4 options
Sounds of the underground : a cultural, political, and aesthetic mapping of underground and fringe music / Stephen Graham.
- Format:
- Book
- Author/Creator:
- Graham, Stephen.
- Series:
- Tracking pop
- Language:
- English
- Subjects (All):
- Underground music--Social aspects.
- Underground music.
- Underground music--Political aspects.
- Underground music--History and criticism.
- Subculture.
- Physical Description:
- 1 online resource (305 pages) : illustrations.
- Place of Publication:
- Ann Arbor : University of Michigan Press, [2016]
- Language Note:
- English
- Summary:
- In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture through interviews and analysis, developing a critical account of both the music and its political and cultural economy.
- Contents:
- Intro
- Contents
- Preface
- Part I-What Is the Underground?
- 1. Introduction to the Underground and Its Fringes
- 2. The Music and Musicians
- 3. Global and Local Underground/Fringe Scenes
- Part II-The Political and Cultural Underground
- 4. Politics and Underground/Fringe Music
- 5. Cultural Policy and Underground/Fringe Music
- 6. Artists and Music, Improv and Noise
- 7. The Digital Economy and Labels
- 8. Festivals and Venues
- Part III-Listening to the Underground
- 9. Noise as Concept, History, and Scene
- 10. The Politics of Underground Music and Noise
- 11. The Sounds of Noise
- 12. Extreme Metal
- Conclusion
- List of Interviewees
- Notes
- Bibliography
- Index.
- Notes:
- Bibliographic Level Mode of Issuance: Monograph
- Includes bibliographical references (pages 269-289) and index.
- Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International CC BY-NC-ND 4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
- Description based on information from the publisher.
- ISBN:
- 9780472121649
- 0472121642
- OCLC:
- 948511711
- Publisher Number:
- 10.3998/mpub.8295270
- Access Restriction:
- Open Access Unrestricted online access
The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.