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José Sabogal y la escuela peruana mestiza : el Instituto de Arte Peruano (1931-1973) / Fernando Villegas Torres.

Fine Arts Library ND419.S3 V55 2020
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Format:
Book
Author/Creator:
Villegas Torres, Fernando, author.
Series:
Textos de la Universidad de los Andes. Colección Ciencias humanísticas. Serie Arte
Serie Arte
Language:
Spanish
Subjects (All):
Sabogal, José, 1888-1956--Criticism and interpretation.
Sabogal, José.
Sabogal, José, 1888-1956.
Instituto de Arte Peruano--History.
Instituto de Arte Peruano.
Artists--Peru--Biography.
Artists.
Watercolor painting, Peruvian--20th century.
Watercolor painting, Peruvian.
Peruvians--History--20th century--Pictorial works.
Peruvians.
Indians in art.
Manners and customs.
History.
Criticism and interpretation.
Peru--Social life and customs--Pictorial works.
Peru.
Art, Peruvian.
Genre:
Biographies.
History.
Pictorial works.
Illustrated works.
Physical Description:
162 pages : illustrations (chiefly color), portraits ; 24 cm.
Edition:
Primera edición.
Other Title:
Instituto de Arte Peruano (1931-1973)
Place of Publication:
Lima, Peru : Universidad Nacional Mayor de San Marcos, Fondo Editorial, 2020.
Summary:
In mid-July 1919, at Casa Brandes, a shop located in the central street of Espaderos (Lima), an exhibition was held that would change the course of Peruvian art of the 20th century. Its title was "Impresiones de Ccoscco" (Impressions of Ccoscco) and consisted of paintings, drawings and cartoons made by a young artist born in Cajamarca in 1888, and who returned to Lima after having spent a season in Europe and having lived in the cities of Jujuy (Argentina), and in Cusco. With this exhibition, which highlighted portraits of young Creole, mestizo, and indigenous Cusqueño characters and landscapes with pre-Hispanic architecture, José Sabogal inaugurated a new era in the history of Peruvian art. His work would eventually break with the pricey and academic charges of the 19th century Lima, and highlight that deep, indigenous, mestizo and popular country that began to peek into the political and social discourses of the early 20th century. "In this book, Fernando Villegas analyses the work, at the Institute of Peruvian Art, by José Sabogal (Cajabamba, 1888 - Lima, 1956) and his disciples, who were guided by the conviction that true Peruvian art was that of popular and mestizo roots, which had come with verve to the present day after crossing the pre-Hispanic and colonial periods, and that it had fed on all those journeys of its many contexts ... Dr. Rodrigo Gutiérrez Viñuales".
Contents:
Presentación / Rodrigo Gutiérrez Viñuales
Joseþ Sabogal y la escuela peruana mestiza
Impresiones de Ccoscco
Los inicios del mestizaje en la arquitectura: Cuzco y Arequipa
El descubrimiento del arte popular peruano: mates y queros
Inicios del Instituto de Arte Peruano: el arte del Perú Antiguo (1931-1945)
Nace el Museo Nacional de CUltura Peruana
La misión del Instituto
Inca Garcilaso de la Vega
El arte popular es el arte peruano (1946-1956)
Exhibiciones del Instituto de Arte Peruano
Las acuarelas de arte popular
El color de la cerámica del Perú Antiguo en las acuarelas
Continuadores de Pancho Fierro: El traje peruano
¿Quién es el autor del arte peruano?
Sabogal y lo moderno I: paisajes simbolistas
Sabogal y lo moderno II: retratos expresionistas
La Escuela Nacional de Bellas Artes y sus componentes mestizos
Hacia una nueva mirada: la escuela peruana mestiza
Reflexiones finales
Anexo 1.Reglamento del Museo Nacional
Anexo2. Carta de Luis Eduardo Valcárcel a José Sabogal.
Notes:
Includes bibliographical references (pages 153-162).
Contains:
Sabogal, José, 1888-1956. Paintings. Selections.
ISBN:
9972466744
9789972466748
OCLC:
1236228332

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