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Knowing in Performing Artistic Research in Music and the Performing Arts Annegret Huber, Doris Ingrisch, Therese Kaufmann, Johannes Kretz, Gesine Schröder, Tasos Zembylas

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Format:
Book
Contributor:
Huber, Annegret <p>Annegret Huber, mdw – Universität für Musik und darstellende Kunst Wien, Österreich</p>, Editor.
Ingrisch, Doris <p>Doris Ingrisch, mdw – Universität für Musik und darstellende Kunst Wien, Österreich</p>, Editor.
Kaufmann, Therese <p>Therese Kaufmann, mdw – Universität für Musik und darstellende Kunst Wien, Österreich</p>, Editor.
Kretz, Johannes <p>Johannes Kretz, mdw – Universität für Musik und darstellende Kunst Wien, Österreich</p>, Editor.
Schröder, Gesine <p>Gesine Schröder, mdw – Universität für Musik und darstellende Kunst Wien, Österreich</p>, Editor.
Zembylas, Tasos <p>Tasos Zembylas, mdw – Universität für Musik und darstellende Kunst Wien, Österreich</p>, Editor.
Language:
English
Subjects (All):
Artistic Research.
Music.
Performing Arts.
Participatory Art.
Theatre.
Science.
Theatre Studies.
Musicology.
Cultural Theory.
Local Subjects:
Artistic Research.
Music.
Performing Arts.
Participatory Art.
Theatre.
Science.
Theatre Studies.
Musicology.
Cultural Theory.
Physical Description:
1 online resource (228 pages)
Edition:
1st ed.
Other Title:
Huber et al. (eds.), Knowing in Performing Artistic Research in Music and the Performing Arts
Place of Publication:
Bielefeld transcript Verlag 2021
Language Note:
In English.
Biography/History:
Annegret Huber (Prof. Dr.) is a professor at the Department of Composition, Electroacoustics, and Tonmeister Education at the mdw - University of Music and Performing Arts Vienna, Austria. Her research focuses on epistemological, cultural and historical questions on musical analysis and its methods in interdisciplinary contexts, especially sociology of knowledge, media philosophy, and gender studies.
Doris Ingrisch (Prof. Dr.) is a cultural scientist and a visiting guest professor of gender studies at the Department for Cultural Management and Gender Studies (IKM) at the mdw - University of Music and Performing Arts Vienna since March 2011. Her research focuses on science, art and gender, experimental methods, and arts-based research.
Therese Kaufmann is head of research support services at mdw - University of Music and Performing Arts Vienna, Austria.
Johannes Kretz (Prof.) is a composer, electronics performer, artistic researcher, and head of the Artistic Research Center (ARC) at mdw - University for Music and Performing Arts Vienna, Austria.
Gesine Schröder (Prof. emerit. Dr.) is a professor for music theory at the Department of Composition, Electroacoustics, and Tonmeister Education at mdw - University for Music and Performing Arts Vienna, Austria, and at the University for Music and Theatre »Felix Mendelssohn Bartholdy« Leipzig, Germany.
Tasos Zembylas (Prof. Dr.) is a professor for cultural institutions studies at mdw - University of Music and Performing Arts Vienna, Austria, with a research focus on the sociology of artistic practices, the institutional analysis of art worlds, and public cultural funding policies.
Summary:
How can performing be transformed into cognition? Knowing in Performing describes dynamic processes of artistic knowledge production in music and the performing arts. Knowing refers to how processual, embodied, and tacit knowledge can be developed from performative practices in music, dance, theatre, and film. By exploring the field of artistic research as a constantly transforming space for participatory and experimental artistic practices, this anthology points the way forward for researchers, artists, and decision-makers inside and outside universities of the arts.
»Eine bereichernde Lektüre sowohl für Adepten oder diejenigen, die sich an dem Feld der Künstlerischen Forschung beteiligen, als auch für diejenigen, die noch lernen wollen, was Künstlerische Forschung überhaupt ist bzw. wofür Konzepte wie Artistic Research, Arts-based Research und Research-based Arts stehen.«
Besprochen in:http://www.kulturtechno.de, 09.07.2021
Contents:
Frontmatter 1 Inhalt/Contents 5 Einleitung 7 Foreword 17 The Pot Calling the Kettle Black 27 Artistic Research and Music Research 35 Artistic Paths in Five Images 51 Looking back, Looking through, Looking beneath 63 Making Sound, Making Music 77 voicings of an auralist 89 Creative (Mis)understandings: A Methodology of Inspiration 111 Schallnamen 131 Souveränität riskieren: Transdisziplinäre Forschung, kontextorientierte Aufführungspraxen und die Arbeit des Theaters der Versammlung 137 Knowing in Intra-Acting 147 In Love with Art & Philosophy // Zwischen Kunst & Philosophie 161 Worldmaking - Knowing through Performing 185 Shooting as a Researcher - Fracking Your Face 201 Abbildungsverzeichnis / Image Credits 213 Biografien / Biographies 217
Notes:
This eBook is made available Open Access under a CC BY-SA 4.0 license: https://creativecommons.org/licenses/by-sa/4.0 https://www.degruyter.com/dg/page/open-access-policy
ISBN:
9783839452875 (Ebook)
OCLC:
1233040564
Access Restriction:
Unrestricted online access

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