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Multimodality, meaning, and institutions / edited by Markus A. Höllerer, Thibault Daudigeos, Dennis Jancsary.

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Format:
Book
Contributor:
Daudigeos, Thibault, editor.
Jancsary, Dennis, editor.
Series:
Research in the sociology of organizations ; Volume 54.
Research in the sociology of organizations, 0733-558X ; volume 54B
Language:
English
Subjects (All):
Communication in organizations.
Industrialization.
Organizational change.
Physical Description:
1 online resource (244 pages).
Edition:
1st ed.
Place of Publication:
Bingley, England : Emerald Publishing Limited, 2018.
Summary:
The insight that institutions, and the communicative practices that create, sustain, and challenge them, are multimodal accomplishments has garnered increasing attention from scholars in organization and management research over the last decade. Traditional understanding of social knowledge and meaning as being constituted primarily through verbal discourse has been challenged and extended by work that has promoted the centrality of visual, material, and other sign systems (e.g., audio, gestures, layout) for constructing social reality. While some discursive approaches to organizations and institutions have acknowledged the existence and relevance of modes other than the verbal for some time, systematic research on multimodality has remained rather sparse. In particular, the interaction and orchestration of multiple modes remains terra incognita with considerable empirical, methodological, and theoretical stakes. Together, 54A and 54B of Research in the Sociology of Organizations investigate these issues with innovative research that focuses on the relationship between different modes in the emergence, diffusion, maintenance, and challenge of social meanings and institutions. Individual contributions demonstrate the potential of multimodal approaches to rejuvenate and extend the study of institutions, they revisit research on classic phenomena in organization theory through a multimodal lens, and advance the design of relevant and rigorous methods of analysis for the study of multimodal communicative practices.
Contents:
Intro
Multimodality, Meaning, and Institutions
Contents
Notes on the editors
List of Contributors
Section 4: Multimodal Perspectives On Institutional Persistence and Change
Multimodal Constructionof a Rational Myth:Industrialization of theFrench Building Sector inthe Period from 1945 to 1970
Rational Myths as Means-Ends Relations
Visual Communication and Multimodality
Methods
Empirical Phenomenon
Data Source
Data Collection
Data Analysis
Findings
Step 1: Experimental Associations Between Many Means and Ends (1945-1950)
Step 2: Coupling of Selected Means to Formal Ends (Throughout the 1950s)
Step 3: Further Coupling of Means to Substantive Ends (Predominant in the 1960s)
Disaggregating Findings to Validate the Three-Step Model
Discussion
Processes of Socially Constructing Rational Myths
Visual and Verbal Commmunication in the Construction of Rational Myths
Limitations and Avenues for Future Research
Conclusion
References
CRU, GLUE, and Status:How Wine Labels HelpedEnnoble Bordeaux
Introduction
Theoretical Background
Context, Data, and Methods
A Stable Expansion of the Chateau Tradition
A World Invented
The Merchant Profession as a Community Organization
Maintenance Activities and Multimodality
Community Organizations
Boundary Conditions
Limitations
Concluding Remarks
Where History, Visuality,and Identity Meet:Institutional Paths toVisual Diversity AmongOrganizations
On Historicity and Imprinting
Pathways to Field-Level Variety
Research Method
Field-Level Distribution
Case Illustrations
Imprinting: The case of Aalto University
Imprinting-cum-inertia - Resistance to change: The case of the Technion.
Imprinting-cum-inertia - Conservative rebranding: The case of The Hebrew University of Jerusalem
Rebranding: The case of the University of the Free State
Historization - "Back to our roots": The case of the University of Mannheim
Historization - "Invention of tradition": The case of the University of Nairobi
Multiplicity - through combination: The case of the Tanta University's assemblage identity icon
Multiplicity - through differentiation: The case of Stanford University's multiple identity icons
Summary: Organizational responses to branding dynamics
Concluding Discussion: Visual Traces of Organizational Responses to Field-Level Dynamics
Dirty Oil or EthicalOil? Visual Rhetoric inLegitimation Struggles
Legitimation Dynamics
Leveraging Social Semiotics and Visual Rhetoric to Analyze Legitimacy Work
Methodology
Analytical Methods
Evolving Labels, Meaning, and Value
BP: Low-Carbon Diet
Greenpeace: Black is the New Green
Ethical Oil Institute: Dirty Oil, Ethical Oil
Tanker Free BC: Immoral Energy and Ethical Energy
The Evolution of Meaning and Value
Conceptual Discussion
Methodological Innovations to Analyze Emotion and the Visual
Persuasion Through Evaluative and Emotional Resonance
Fluid and Provisional Interaction Between Legitimation and De-Legitimation
Conclusions
Extensions and Limitations
Section 5: The Multimodal Construction of Identities
Companies on the Runway: Fashion Companies' Multimodal Presentation of their Organizational Identity in Job Advertisements
Organizational Identity Claims
Organizational Identity Claims in Multimodal Communication
Fashion Industry as a Research Setting
Job Ads as a Genre
Results.
You Know Our Name - Job Ads Focusing on Company Reputation
Dedicated Follower of Fashion - Job Ads Focusing on Product Brand
Let's Get the Job Done - Job Ads Focusing on (Future) Employees
Multimodal Composition and Messages
How Multimodal Compositions Convey Different Organizational Identity Claims
How Multimodal Identity Claims Aim to Influence Attraction to, the Perception of the Legitimacy of, and Identification with Organizational Images
How Multimodal Identity Claims Reflect Changing Values over Time
Message in a Bottle: Multiple Modes and Multiple Media in Market Identity Claims
Introduction: Multiple Modes and Media in Identity Claims
Identity Claims and Multimodality
Multimodal and Multimedial Interactions in Identity Claims
An Illustration Involving Single-Malt Scotch Whisky Distilleries
Identity Claims on Material Media: Bottles and Associated Packaging
Shifting Media from Material to Digital: Identity Claims on Social Media
Multimodal and Multimedia Interactions in Identity Claims
Discussion and Conclusion
The Architecture of City Identities: A Multimodal Study of Barcelona and Boston
City Identity Through Architecture: Material, Visual, and Rhetorical Expressions of Institutional Actors
City Identity as a Material Sign System: Topography, Landmarks, and Iconic Buildings
City Identity as a Visual Sign System: Architectural Styles and Visual Continuity
City Identity as a Rhetorical Sign System: Critics and Texts
Methods and Data
City Identity as Materially Constructed by City Designers and Planners
City Identity as Visually Constructed by Architects
City Identity as Rhetorically Constructed by Critics
Findings: The Sign Systems of Barcelona and Boston
Material Sign Systems
Visual Sign Systems.
Rhetorical Sign Systems
Conclusion: Toward a Multimodal and Temporal Approach to City Identity
Multimodality in Organization Studies: Afterword
Index.
Notes:
Includes index.
Includes bibliographical references.
Print version record
ISBN:
9781787434516
1787434516
9781787433311
1787433315

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