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The Art of the Zaramo : identity, tradition, and social change in Tanzania / Fadhili Safieli Mshana.

Penn Museum Library N7397.6.T3 M74 2016
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Format:
Book
Author/Creator:
Mshana, Fadhili Safieli, author.
Language:
English
Subjects (All):
Art, African.
Zaramo (African people).
Identity (Psychology) in art.
Zaramo sculptors.
Physical Description:
xiv, 189 pages : illustrations ; 24 cm
Place of Publication:
Dar Es Salaam, Tanzania : Mkuki Na Nyota, [2016]
Summary:
Against the background of the carving's beginnings at Konde in Kisarawe District, Tanzania, which attest to the crucial ties between Zaramo social practices and the carved objects that form an integral part of Zaramo life, The Art of the Zaramo presents the transformations, and reinvention of Zaramo wood sculpture in line with forces of modernization and social change. The book confirms that art represents history, culture and society. To find answers to the author's questions and to develop an understanding of how Zaramo figurative sculpture was transformed as it went through modernization, Fadhili Safieli Mshana compelled to consider the impact of the following: Zaramo multiple ethnic heritage, social norms and cultural patterns including Swahili interactions, the strategic proximity of the Zaramo to Dar es Salaam (Tanzania's biggest city and former capital), influences of Islam and Christian missionaries, colonial history, and finally the socio-economic transformation of post-independence Tanzania. These involve examining the ways that art acts as a vehicle for the formation of individual/group identity; how the two entities negotiate each other in the process of social and cultural change. This excellent book then, is about the Zaramo and their figurative wood carving tradition, and it is written as an attempt to not only understand the origins, development, and centrality of this figural carving tradition to the Zaramo, but also, the ways the Zaramo have used select sculptural objects to interpret change and continuity in the midst of modernization and social change.
Contents:
Dedication
Table of contents
List of figures
Acknowledgements
Permissions. Chapter 1. Introduction : Art objects and cultural practices
Aims and approaches
Problems of categories and generalizations
Plan of the book. Chapter 2. Cultural influences on the Zaramo : Socio-political transformations in Tanzania
Social and cultural mix in Uzaramo
Swahili and Islamic influences
Colonial process and Christian missionaries. Chapter 3. Carving a social message: Zaramo artists in the post 1960 period : Zaramo arts
Zaramo carving
Maneromango carvers and missionary patronage
Beyond the confines of Maneromango
Mohamed Peera's patronage
Patronage of state agencies. Chapter 4. Mwana hiti trunk figure: a tool for defining womanhood : What is Mwana hiti?
Mwana hiti and the Mwali practice in a modern context
Mwana hiti's form, style, and symbolism in a changing social climate. Chapter 5. Villagization and the Zaramo grave sculptures: the adverse effects of modernization: Zaramo concept of space and death
Influence of Islam on Zaramo grave posts
The effects of villagization on Zaramo grave sculptures
beyond villagization? Zaramo grave markers amid change and continuity. Chapter 6. Dress codes and prestige staffs: constructing political authority with staffs : Dress codes and prestige staffs
Mganga's ritual staff of the Zaramo: interpreting traditionalism and modernity
Kifimbo: constructing political authority with staffs. Chapter 7. Conclusions: transforming forms into contemporary symbols
Glossary
References
Notes
Index.
Notes:
Includes bibliographical references (pages 165-172) and index.
ISBN:
9987753566
9789987753567
OCLC:
967717142

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