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Brahms, Bartok, Liszt / Alexandre Kantorow.

Naxos Music Library Available online

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Format:
Sound recording
Contributor:
Kantorow, Alexandre, 1997- instrumentalist.
Series:
Naxos Music Library.
Language:
No linguistic content
Subjects (All):
Piano music.
Sonatas (Piano).
Rhapsodies (Music).
Genre:
Piano music.
Sonatas.
Rhapsodies (Music)
Streaming audio.
Sound recordings.
Physical Description:
1 online resource (1 audio file)
Place of Publication:
Åkersberga, Sweden : BIS, [2020]
System Details:
digital
audio file
Summary:
The present recital, his first release since the Tchaikovsky Competition, offers plenty of scope for virtuosity, poetry, and charm, always filtered through an acute stylistic consciousness. The program is constructed around three rhapsodies, a genre whose improvisatory character corresponds perfectly with the spirit of Romanticism but here interpreted by three highly distinct artistic temperaments: Franz Liszt, Johannes Brahms, and Béla Bartók.
Contents:
Rhapsody no. 1 in B minor, op. 79 no. 1 (9:51) ; Piano sonata no. 2 in F-sharp minor, op. 2 (29:03) / Johannes Brahms
Rhapsody, op. 1 / Bela Bartok (20:02)
Hungarian rhapsody, no. 11 / Franz Liszt (6:08).
Participant:
Alexandre Kantorow, piano.
Credits:
Producer, Jens Braun.
Notes:
A program of 19th and 20th century music for piano. Hybrid SACD.
Bartók, Liszt recorded 2019 September the Fondation Louis Vuitton, Paris, France.
Brahms recorded 2020 January Tapiola Concert Hall, Finland.
Hard copy version record.
Contains:
Container of: Brahms, Johannes, 1833-1897. Rhapsodies, piano, op. 79. No. 1
Container of: Brahms, Johannes, 1833-1897. Sonatas, piano, no. 2, op. 2, F♯ minor
Container of: Bartók, Béla, 1881-1945. Rhapsodies, piano, op. 1
Container of: Liszt, Franz, 1811-1886. Rhapsodies hongroises. No 11
Other Format:
Source record: Brahms, Bartok, Liszt.
OCLC:
1236096065
Publisher Number:
SEAEY2080010
SEAEY2080020
SEAEY2080030
SEAEY2080040
SEAEY2080050
SEAEY2080060
SEAEY2080070
BIS-2380 BIS
Access Restriction:
Restricted for use by site license.

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