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Gillian Armstrong : popular, sensual and ethical cinema / Julia Erhart.

Van Pelt Library PN1998.3.A76 E7554 2020
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Format:
Book
Author/Creator:
Erhart, Julia, author.
Series:
Visionaries (Edinburgh University Press)
Visionaries
Language:
English
Subjects (All):
Armstrong, Gillian, 1950---Criticism and interpretation.
Armstrong, Gillian.
Armstrong, Gillian, 1950-.
Motion picture producers and directors--Australia--Biography.
Motion picture producers and directors.
Criticism and interpretation.
Australia.
Genre:
Biographies.
Criticism, interpretation, etc.
Physical Description:
x, 189 pages : illustrations ; 22 cm.
Place of Publication:
Edinburgh : Edinburgh University Press, [2020]
Contents:
Machine generated contents note: Always Armstrong: form and style
At the Australian Film and Television School
Satdee Night (1973)
Gretel (1973)
After AFTS
Starting points
Outlining of chapters
1. An authorial cinema
A multidimensional career
Perceptions of success: Armstrong's point of view
Casting and crew
Images of Armstrong
Armstrong, feminism, and on being a `woman director'
Present-day activisms: Gender Matters and Make It Australian
Conclusion
2. A popular, commercial cinema: Mrs. Soffel, Little Women, Charlotte Gray, Death Defying Acts
Mrs. Soffel: confinement and the power of silence
Place and escape
From Fires Within to Little Women
Little Women
Home: locus of resistance
Armstrong in Europe: popular films after the year 2000
3. An Australian genre cinema: My Brilliant Career, Oscar and Lucinda, Starstruck
Genre, globally
Period film and the Australian industry
My Brilliant Career
Oscar and Lucinda
The presence of the present
The Australian musical: Starstruck
4. A sensual cinema: The Last Days of Chez Nous, Unfolding Florence: The Many Lives of Florence Broadhurst, Women He's Undressed
Designing Armstrong
The Last Days of Chez Nous (1992)
Sound and taste
House as character
Unfolding Florence: The Many Lives of Florence Broadhurst (2006)
Women He's Undressed (2015)
5. An ethical cinema: High Tide and The Story of Kerry, Josie and Diana
Towards a feminist cinematic ethics: beginning with Mulvey
High Tide (1987)
Opportunities for empathy
Armstrong's documentary ethics
Participant well-being
Axiographics
Conclusion.
Notes:
Includes bibliographical references and index.
ISBN:
1474434320
9781474434324
9781474440516
1474440517
OCLC:
1158476829

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