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Music publishing and composers (1750-1850) / edited by Massimiliano Sala.
LIBRA ML112 .M865 2020
Available from offsite location
- Format:
- Book
- Series:
- Speculum musicae ; v. 37.
- Speculum musicae ; volume XXXVII
- Language:
- English
- French
- German
- Italian
- Subjects (All):
- Music publishing--History--18th century--Congresses.
- Music publishing.
- Music publishing--History--19th century--Congresses.
- History.
- Genre:
- Conference papers and proceedings.
- History.
- Physical Description:
- xiv, 322 pages : illustrations, music ; 27 cm.
- Place of Publication:
- Turnhout : Brepols, MMXX.
- Language Note:
- Contributions in English, Italian, German, and French. Abstracts in English.
- Summary:
- The volume focuses on the role of music publishing between 18th and 19th century. The development of music publishing in the final years of the eighteenth and first decades of the nineteenth century had a decisive and far-reaching influence on every facet of the music profession. The proliferation of publications substantially altered the conception of the musical work and the nature and extent of intellectual property. Increasingly this allowed composers to support themselves financially through the sale of their own works, or even to establish, or collaborate in, publishing houses. The needs of contemporary consumers of music and new approaches to the production and dissemination of the musical work conditioned, and were conditioned by, the ever-evolving spheres of public and domestic performance that, in turn, stimulated the emergence of new musical forms and genres. This book focuses on the role of music publishing within the daily life and activities of composers at the turn of the nineteenth century, and its impact on subsequent patterns of development that influenced the course of nineteenth-century music.
- Contents:
- Beethoven's symphonies arranged for the chamber by his contemporaries / Nancy November
- Werk und Zyklus: zur Reihenfolge der Streichquartette in Haydns Opus 33 und Mozarts Opus 10 / Rainer Kleinertz
- The proliferation of musical sources in the 19th century: an abridged editorial history of Rossini, Verdi, and Puccini's Italian opera / Maria Birbili
- What is an author of early American music?; Die Zauberflöte and the culture of reprinting / Myron Gray
- Composers, publishers and the market in late Georgian Britain / David Rowland
- Compositori, editori, fruitori: una rete di rapporti / Bianca Maria Antolini
- A chi apparteneva il Nabucco?: note storiche sulla "proprietà dello spartito" e sulla controversia tra gli editori Lucca e Ricordi / Giovanna Carugno
- "Eine heillose Geschichte!: the discourse on publishers in Dutch music journals (ca. 1839-1860) / Floris Meens
- Compositeurs "belges" de musique instrumentale édités à Paris au XVIIIe siècle: la quête de la reconnaissance internationale / Henri Vanhulst
- Handschriftliche Überlieferung von Streichquartetten im Rom des 18. Jahrhunderts / Stephanie Klauk
- Musikverleger des 18. Jahrhunderts als international agierende Akteure des Transfers: der Fall Antoine Huberty / Sarah Noemi Schulmeister
- Disavventure editoriali e concertistiche di Giovanni Battista Cirri dal soggiorno londinese (1764-1775) al rientro in patria / Elisabetta Righini
- Music printing and publishing in Portugal (1750-1850): the rise of a new industry / Maria João Albuquerque
- Four unknown waltzes by Beethoven?: the beginnings of sheet music publishing in Spanish periodicals (1805-1834) / Francisco J. Giménez-Rodríguez
- La Iberia musical y literaria (1842-1846): connecting the public and private sphere / Gloria Araceli Rodríguez-Lorenzo.
- Notes:
- Includes bibliographical references and index.
- ISBN:
- 9782503588155
- 2503588158
- OCLC:
- 1178997583
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